(Sans titre)
Mag men het zien?
Onbekend
Parijs, Frankrijk
De eigenaar is bekend; of het werk nu te zien is, is onbekend.
- Ongewijzigd sinds
- Bron
- Het museum
Gegevens
- Inventarisnummer
- AMVP 1929
In de catalogus
Bronnen
- Musée d'Art Moderne de la Ville de Paris
- Afbeelding: Musée d'Art Moderne de la Ville de Paris — © Adagp, Paris; Ministère de la Culture (France), base Joconde
Intussen, in het leven van Henri Michaux
Het hele leven1940s and 1950s
Association with Tachisme
In the 1940s and 1950s he is associated with Tachisme, though that describes only a small part of his artistic achievement, such as his hallucinatory representations of faces and heads; his work often uses dense, suggestively gestural strokes that incorporate calligraphy, asemic writing and abstract expressionism.
11 juli 1959 – 11 oktober 1959
Exhibition: Documenta II
1960
Prize at the Venice Biennale
He wins a prize at the 1960 Venice Biennale, after which, in 1964, the first worldwide retrospective of his paintings and graphic work opens.
1963
Lutosławski sets his poems to music
Witold Lutosławski composes “Three Poems of Henri Michaux” for mixed choir and orchestra; in 1965 the French composer Henri Sauguet writes three pieces for voice.
