ART WIKI32.963 te zien
KaartCollectieKunstenaarsMuseaTentoonstellingenJournal
Inloggen

ART WIKI

Waar het meesterwerk hangt en wanneer men u toelaat.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (6 musea), Paris Musées (12 musea) en Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

Rubrieken

  • Kaart
  • Zoeken
  • Collectie
  • Meesterwerken
  • Nu te zien
  • Kunstenaars

Meer

  • Musea & galerieën
  • Tentoonstellingen
  • Journal
  • Waar de gegevens vandaan komen
  • Privacy & cookies
StartpaginaKaartCatalogus
  1. Collectie/
  2. Minneapolis Institute of Art/
  3. Salus Infirmorum
Salus Infirmorum, Robert Sargent Austin, 1922
RRobert AustinVerenigd Koninkrijk, 1895–1973

Salus Infirmorum

1922 · Print

Mag men het zien?

Ontvangt momenteel niet

Minneapolis Institute of Art

Minneapolis, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
25 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Over het werk

Robert Sargent Austin was a highly respected illustrator and engraver, sometimes regarded as the last great English engraver. He taught at the Royal College of Art and was eventually elected president of the Royal Society of Painter-Etchers. He was an extremely disciplined artist and could engrave with remarkable ease. Observers said that he could engrave nearly as fast as he could draw, and could simultaneously explain his process. His attention to light, texture, and perspective add to the airiness of many of his plates. At first glance, some of his prints appear to be the work of a Renaissance master. Indeed, his favorite artist, Martin Schongauer, lived in the 15th century. Austin adopted his sinuous outlines, restrained use of cross-hatching, appreciation for empty space, and even the style of his signature. This print comes from his personal archive of proof impressions.

Minneapolis Institute of Art

Gegevens

1922 · op 27-jarige leeftijd
18951973
Inventarisnummer
2013.70.2

In de catalogus

PrentenEtsModernisme20e eeuwEngeland

Bronnen

  • Minneapolis Institute of Art
  • Afbeelding: Minneapolis Institute of Art — © 2013 Clare Calder, Estate Robert Sargent Austin

Meer van Robert Austin

Alle werken
Midday Meal, Robert Austin

Midday Meal

Niet te zien · National Gallery of Art

Beggars of Naples, Robert Austin

Beggars of Naples

Niet te zien · National Gallery of Art

In the Waiting Room, Robert Austin

In the Waiting Room

Niet te zien · National Gallery of Art

Dolomites I, Robert Austin

Dolomites I

Niet te zien · National Gallery of Art

Dolomites III, Robert Austin

Dolomites III

Niet te zien · National Gallery of Art

Dolomites II, Robert Austin

Dolomites II

Niet te zien · National Gallery of Art

The Bridge, Robert Austin, c. 1913

The Bridge

c. 1913 · Niet te zien · National Gallery of Art

View in Glasgow, Robert Austin, 1920

View in Glasgow

1920 · Niet te zien · National Gallery of Art

Buren in huis: Minneapolis Institute of Art

Museumpagina
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34