
Albrecht DürerDuitsland, 1471–1528Mag men het zien?
Cleveland, Verenigde Staten
Het hoort bij de collectie, maar is momenteel niet tentoongesteld.
Collectie: National Gallery of Art, Washington D.C.
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Cleveland Museum of Art · 2 okt 2026 — nu · Gecontroleerd
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National Gallery of Art · 29 sep 2026 — 2 okt 2026 · Gecontroleerd
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Cleveland Museum of Art · 29 sep 2026 — 29 sep 2026 · Gecontroleerd
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National Gallery of Art · 29 sep 2026 — 29 sep 2026 · Gecontroleerd
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Cleveland Museum of Art · 28 sep 2026 — 29 sep 2026 · Gecontroleerd
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National Gallery of Art · 28 sep 2026 — 28 sep 2026 · Gecontroleerd
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Cleveland Museum of Art · 27 sep 2026 — 28 sep 2026 · Gecontroleerd
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National Gallery of Art · 25 sep 2026 — 27 sep 2026 · Gecontroleerd
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Cleveland Museum of Art · 19 aug 2026 — 25 sep 2026 · Gecontroleerd
1500
Jacopo de' Barbari and the secret of proportion
The Venetian Jacopo de' Barbari, whom Dürer had met in Venice, came to Nuremberg, and Dürer said he learned much from him about perspective, anatomy and proportion. Feeling that de' Barbari would not explain everything he knew, Dürer began studies of his own that became a lifelong preoccupation.
1501–1502
In the circle of Nuremberg's humanists
Through his lifelong friend Willibald Pirckheimer, Dürer entered the circle of Nuremberg's humanists. He engraved illustrations for Conrad Celtis's editions of Hrotsvitha (1501) and of his Four Books of Love (1502), and decorated 14 books in Pirckheimer's library with drawings.
1502
Death of his father
Albrecht Dürer the Elder died, and his son took on the care of his mother and his two younger brothers, Endres and Hans.