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Rooftops and Umbrella Pines, Joseph-Marie Vien, 1744/1750
Joseph Marie Vien, portretJoseph Marie VienFrankrijk, 1716–1809

Rooftops and Umbrella Pines

1744/1750 · Drawing

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Nu niet te zien

Waar is „Rooftops and Umbrella Pines” nu? Collectie: National Gallery of Art, Washington D.C. Nu niet te zien. Gecontroleerd 12 oktober 2026.

National Gallery of Art

Washington D.C., Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
Ongewijzigd sinds
Bron
Het museum
Op de kaartMuseumpagina
Insluiten

Gegevens

Inventarisnummer
1983.49.187

Wat het toont

ItaliëLandscape

In de catalogus

Tekeningen & aquarellenPotloodRococo18e eeuwFrench

Bronnen

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Alle werken
L'Ermite endormi, Vien, Joseph-Marie, Milieu du XVIIIe siècle (1750)

L'Ermite endormi

Milieu du XVIIIe siècle (1750) · Louvre

Jeunes grecques parant de fleurs l'Amour endormi, Vien, Joseph-Marie, 3e quart du XVIIIe siècle (1773)

Jeunes grecques parant de fleurs l'Amour endormi

3e quart du XVIIIe siècle (1773) · Louvre

Amant couronnant sa maîtresse, Vien, Joseph-Marie, 3e quart du XVIIIe siècle (1773)

Amant couronnant sa maîtresse

3e quart du XVIIIe siècle (1773) · Louvre

Les Adieux d'Hector et d'Andromaque, Vien, Joseph-Marie, 4e quart du XVIIIe siècle (1786)

Les Adieux d'Hector et d'Andromaque

4e quart du XVIIIe siècle (1786) · Louvre

Sweet Melancholy, Joseph-Marie Vien, 1756

Sweet Melancholy

1756 · Cleveland Museum of Art

Venus mit Grazien auf einer von Fischen gezogenen Muschel, Joseph-Marie Vien

Venus mit Grazien auf einer von Fischen gezogenen Muschel

Albertina

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Das Urteil des Paris

Albertina

Die Erweckung des Lazarus, Joseph-Marie Vien

Die Erweckung des Lazarus

Albertina

Ook bij National Gallery of Art

Museumpagina
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portret van Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Meisje in Wit, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

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La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Over hetzelfde thema · Italië

Alle werken over dit thema
Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Landscape with Large Roman Ruins, Schelte Adams Bolswert after Sir Peter Paul Rubens, c. 1638

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Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Niet te zien · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

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National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

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Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

The Villa Imperiale, Venetian 16th Century, Probably Titian, 1530s

Titian

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Niet te zien · National Gallery of Art

Landscape with a Mill, Dominique Barrière after Titian, c. 1650

Titian

Landscape with a Mill, c. 1650

Niet te zien · National Gallery of Art