Rinema

2004 · Print

Mag men het zien?

Ontvangt momenteel niet

Museum of Modern Art

New York, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd: 12 dagen geleden
Bron: De eigen collectiegegevens van het museum

Op de kaart Museumpagina

Gegevens

Inventarisnummer: 550.2005

Bronnen

Museum of Modern Art: the museum's own open data · opgehaald 12 dagen geleden
Afbeelding: Museum of Modern Art — © the artist or rights holder

Alle werken

Introduction

2004 · Niet te zien · Whitney Museum of American Art

Never Nothing

2008 · Niet te zien · Museum of Modern Art

What It All Comes Down To

2008 · Niet te zien · Museum of Modern Art

Buren in huis: Museum of Modern Art

Museumpagina

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

Vincent van Gogh

De sterrennacht, Saint Rémy, June 1889

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

Pablo Picasso

Rinema

Ontvangt momenteel niet

Gegevens

Bronnen

Introduction

Never Nothing

What It All Comes Down To

Buren in huis: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Rinema

Ontvangt momenteel niet

Gegevens

Bronnen

Introduction

Never Nothing

What It All Comes Down To

Buren in huis: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Rinema

Ontvangt momenteel niet

Gegevens

Bronnen

Meer van Orly Genger

Introduction

Never Nothing

What It All Comes Down To

Buren in huis: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Rinema

Ontvangt momenteel niet

Gegevens

Bronnen

Meer van Orly Genger

Introduction

Never Nothing

What It All Comes Down To

Buren in huis: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950