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StartpaginaKaartCatalogus
  1. Collectie/
  2. Harvard Art Museums/
  3. Richard von Kühlmann
Richard von Kühlmann, Max Liebermann, 1920
Max Liebermann, portretMax LiebermannDuitsland, 1847–1935

Richard von Kühlmann

1920 · Print

Mag men het zien?

Ontvangt momenteel niet

Harvard Art Museums

Cambridge, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
27 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1920 · op 73-jarige leeftijd
18471935
Inventarisnummer
M15538

In de catalogus

PrentenEtsModernisme20e eeuwDuitsland

Bronnen

  • Harvard Art Museums
  • Afbeelding: Harvard Art Museums — © President and Fellows of Harvard College

Intussen, in het leven van Max Liebermann

Het hele leven
  1. 18 January 1918

    The Max Liebermann Cabinet opens at the National Gallery

    The cabinet promised by the director Ludwig Justi opened on 18 January; the Minister of Education, Friedrich Schmidt-Ott, gave the inauguration speech.

  2. November 1918

    The November Revolution: machine guns in his house

    Monarchists installed machine guns in Liebermann's house on Pariser Platz, so revolutionary soldiers stormed the palace; when a bullet passed through the wall into the drawing room, the defenders surrendered. Liebermann brought his valuable picture collection to safety and moved with his wife into their daughter's house for a few weeks.

  3. 1920

    Elected president of the Academy of Arts

    After the war and revolution Liebermann took over the Academy and tried to unite the various currents beneath its roof, Expressionism included: under him Max Pechstein, Karl Hofer, Heinrich Zille, Otto Dix and Karl Schmidt-Rottluff were admitted. He gave it a democratic structure and a free system of education.

  4. 1920s

    Defends Otto Dix's “Trench”

    Liebermann supported Dix's emotional depiction of the horror of the world war, which was accused of being tendentious, calling it one of the most important works of the post-war period. At the same time, despite his basically tolerant views, he polemicized against Ludwig Justi, who brought Expressionists to the National Gallery.

  5. 1922

    The murder of Walther Rathenau

    The murder of his relative and companion by right-wing activists deeply disturbed Liebermann. Around then he produced lithographs for Heinrich Heine's “Rabbi von Bacharach”, numerous paintings of his garden, and drawings in memory of fallen Jewish soldiers at the front.

Meer van Max Liebermann

Alle werken
The Ropewalk in Edam, Max Liebermann, 1904

The Ropewalk in Edam

1904 · Metropolitan Museum of Art

Dutch Village Scene with Hanging Laundry, Max Liebermann, 1890

Dutch Village Scene with Hanging Laundry

1890 · Harvard Art Museums

Self-Portrait, Max Liebermann

Self-Portrait

Niet te zien · National Gallery of Art

Hyman Marzynski, Max Liebermann

Hyman Marzynski

Niet te zien · National Gallery of Art

Cafe, Max Liebermann

Cafe

Niet te zien · National Gallery of Art

Portrait of a Man, Max Liebermann

Portrait of a Man

Niet te zien · National Gallery of Art

Karl Legien, Max Liebermann

Karl Legien

Niet te zien · National Gallery of Art

Portrait, Max Liebermann

Portrait

Niet te zien · National Gallery of Art

Buren in huis: Harvard Art Museums

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