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StartpaginaKaartCatalogus
  1. Collectie/
  2. Museum of Modern Art/
  3. Pine Cone and Eucalyptus Leaves
Pine Cone and Eucalyptus Leaves, Ansel Adams, 1932
Ansel Adams, portretAnsel AdamsVerenigde Staten, 1902–1984

Pine Cone and Eucalyptus Leaves

1932 · Photograph

Mag men het zien?

Ontvangt momenteel niet

Museum of Modern Art

New York, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
8 dagen geleden
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1932 · op 30-jarige leeftijd
19021984
Inventarisnummer
216.1947

In de catalogus

Foto’sZilvergelatinedrukModernisme20e eeuw

Bronnen

  • Museum of Modern Art
  • Afbeelding: Museum of Modern Art — © the artist or rights holder

Intussen, in het leven van Ansel Adams

Het hele leven
  1. c. 1930

    Taos: Strand, O'Keeffe, Marin, Jeffers

    Bender takes Adams to Taos, where he befriends the poet Robinson Jeffers, the artists John Marin and Georgia O'Keeffe, and the photographer Paul Strand; his first book, “Taos Pueblo,” with text by Mary Hunter Austin, is published in 1930. Strand proves especially influential: he shares the secrets of his technique, convinces Adams to pursue photography fully, and recommends glossy paper to intensify tonal values.

  2. 1931

    First solo museum exhibition at the Smithsonian

    In 1931 the Smithsonian Institution hosts Adams's first solo museum exhibition, “Pictorial Photographs of the Sierra Nevada Mountains by Ansel Adams” — sixty prints taken in the High Sierra and the Canadian Rockies. The Washington Post writes that his photographs are like portraits of giant peaks inhabited by mythical gods.

  3. 1932

    Group f/64: the de Young exhibition and manifesto

    In 1932 Adams, Imogen Cunningham and Edward Weston show together at the M. H. de Young Museum and soon form Group f/64, which stands for “pure” or “straight” photography against pictorialism. Adams writes the group's manifesto for the exhibition: pure photography, it declares, has no qualities of technique, composition or idea derived from any other art form.

  4. 1933

    Opens his own gallery in San Francisco

    Following the example of Alfred Stieglitz, Adams opens his own art and photography gallery in San Francisco in 1933. He begins publishing essays in photography magazines, and in 1935 writes his first instructional book, “Making a Photograph.”

  5. 1934

    First defines “visualization” in print

    In 1934 Adams first defines in print the concept of “visualization” — picturing each image before taking it — which becomes a core principle of his photography. With it he pursues higher quality, relying on small apertures and long exposures in natural light, as in “Rose and Driftwood” (1933).

  6. 1934

    Elected to the Sierra Club's board of directors

    In 1934 Adams is first elected to the Sierra Club's board of directors, on which he will serve for thirty-seven years; his wife also served as a director.

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Alle werken
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Rock, Bakers Beach, San Francisco, California

c. 1931 · Museum of Modern Art

Bridgeport Valley, Flooded Meadow, Ansel Adams, n.d.

Bridgeport Valley, Flooded Meadow

n.d. · Niet te zien · Museum of Modern Art

Leaves, near Bishop, California, Ansel Adams, n.d.

Leaves, near Bishop, California

n.d. · Niet te zien · Museum of Modern Art

From Glacier Point, Yosemite, Ansel Adams, n.d.

From Glacier Point, Yosemite

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Cliffs in Paradise Valley, Ansel Adams, n.d.

Cliffs in Paradise Valley

n.d. · Niet te zien · Museum of Modern Art

Sierra Juniper, Ansel Adams, n.d.

Sierra Juniper

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Door, Abandoned Church, Sierra Foothills, Ansel Adams, n.d.

Door, Abandoned Church, Sierra Foothills

n.d. · Niet te zien · Museum of Modern Art

Rocks, Sierra Foothills, California, Ansel Adams, n.d.

Rocks, Sierra Foothills, California

n.d. · Niet te zien · Museum of Modern Art

Buren in huis: Museum of Modern Art

Museumpagina
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

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Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

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She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

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Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

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Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

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Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950