Charles François DaubignyFrankrijk, 1817–1878Orchard
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Amsterdam, Nederland
De eigenaar is bekend; of het werk nu te zien is, is onbekend.
- Bron
- Het museum
Gegevens
- Inventarisnummer
- SK-A-2885
Wat het toont
In de catalogus
Bronnen
- Rijksmuseum Amsterdam
- Afbeelding: Rijksmuseum Amsterdam — public domain
In het leven van Charles François Daubigny
Het hele leven1860s
His technique influences the future Impressionists
Daubigny's impasto in the lights, translucent glazes in the shadows and small separate strokes, which earned him both praise and harsh criticism, influenced the future Impressionists in the 1860s. Like them, he cared little for crisp contours and favoured a broad manner.
1866
First seat on the Paris Salon jury
In 1866 Daubigny joined the jury of the Paris Salon for the first time, alongside his friend Camille Corot. Together with Courbet they relished the scandalous success of Courbet's “Woman with a Parrot”.
1866
Visits England
In 1866 Daubigny visited England; four years later he would return there to escape the Franco-Prussian War.
1868
Helps Monet and Renoir into the Salon
It was Daubigny who helped young artists, among them Claude Monet and Auguste Renoir, to show their work at the Salon of 1868: his own art had much in common with the younger generation.
1870
Franco-Prussian War: back in England
Because of the Franco-Prussian War, Daubigny went to England again in 1870, where he found his friend Julien de La Rochenoire.
1870
Meets Claude Monet in London
In London Daubigny met Claude Monet, and the two left together for the Netherlands. Back in Auvers-sur-Oise he met Paul Cézanne and other artists later associated with the Impressionists.
