
Vincent van GoghNederland, 1853–1890Oever met bomen
Mag men het zien?
Ja, het ontvangt bezoek
Amsterdam, Nederland
Publiek tentoongesteld. Wie daarvoor instaat, staat hieronder.
- Gecontroleerd
- Ongewijzigd sinds
- Bron
- Het museum
Over het schilderij
In 1886, Van Gogh moved to Paris to familiarise himself in the painting style of the French Impressionists. This painting reflects his experimentation with their bright vibrant colours, short brushstrokes, and modern compositions. The scene is a close-up of a bank of the Seine River near Asnières, a town northeast of Paris. Van Gogh enjoyed painting there during the summer of 1887.
Rijksmuseum Amsterdam
Gegevens
- Inventarisnummer
- SK-C-1844
In de catalogus
Komen en gaan
Te zien · Zaal 1.18
Rijksmuseum Amsterdam · 29 sep 2026 — nu · Gecontroleerd
Of het te zien was, is onbekend
Rijksmuseum Amsterdam · Onbevestigd
Bronnen
- Rijksmuseum Amsterdam
- Afbeelding: Rijksmuseum Amsterdam — public domain
Intussen, in het leven van Vincent van Gogh
Het hele leven1886
Moves to Paris to join his brother Theo
Van Gogh left Antwerp to join his brother Theo, an art dealer, in Paris. So began a very fruitful and eventful Paris period: he painted some two hundred and thirty pictures there, more than anywhere else.
1887
Friendship with Paul Gauguin
Theo and Vincent befriended Paul Gauguin, who had just arrived in Paris.
1888
To Arles, dreaming of a “Studio of the South”
The public still neither accepted nor bought his paintings, and in February 1888 Van Gogh left for Arles in the south of France to found a “Studio of the South”, a brotherhood of like-minded artists in which he gave Gauguin the leading role. Theo backed the plan with money.
23 October 1888
Gauguin arrives in Arles
After much pleading Gauguin arrived in Arles, and in November the two painted together: Gauguin portrayed Van Gogh in “The Painter of Sunflowers”, and their first joint outing was to the Alyscamps. At Gauguin's suggestion Vincent painted from memory, producing “Memory of the Garden at Etten”.
23 December 1888
The severed ear
After an altercation on the evening of 23 December, Van Gogh, seemingly hearing voices, severed his left ear, wholly or in part, with a razor and delivered it, wrapped in paper, to a woman at a brothel. Next morning a policeman found him unconscious; in hospital he was diagnosed with “acute mania with generalised delirium”.
1889
Voluntarily into the Saint-Paul asylum
Van Gogh left Arles and voluntarily entered the Saint-Paul-de-Mausole asylum, a former monastery in Saint-Rémy-de-Provence, accompanied by the Protestant clergyman Frédéric Salles. Of his two cells with barred windows one became a studio, and the clinic and its garden became the main subjects of his paintings.









