No (2), Louise Bourgeois, 1973
Louise Bourgeois, portretLouise BourgeoisVerenigde Staten, 1911–2010

No (2)

1973 · Print

Mag men het zien?

Ontvangt momenteel niet

Museum of Modern Art

New York, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
Bron
Het museum

Gegevens

Inventarisnummer
94.1994

In de catalogus

Bronnen

Intussen, in het leven van Louise Bourgeois

Het hele leven
  1. 1938–2010 · Werkzaam in

    New York City

  2. early 1970s

    The “Sunday, bloody Sundays” salons

    In the early 1970s Bourgeois held gatherings at her home in Chelsea that filled with young artists and students whose work she critiqued. Her ruthlessness in critique and her dry sense of humour gave the meetings their name, “Sunday, bloody Sundays”.

  3. 1970s

    Joins the Fight Censorship Group

    Bourgeois aligned herself with activists and became a member of the Fight Censorship Group, a feminist anti-censorship collective founded by the artist Anita Steckel; in the 1970s the group defended the use of sexual imagery in art.

  4. 1972

    The group exhibition “13 Women Artists”

    In 1972 Bourgeois took part in the group exhibition “13 Women Artists” at the 117 Prince Street Gallery in New York City.

  5. 1972

    Among the women artists in Mary Beth Edelson’s collage

    In 1972 Mary Beth Edelson collaged the heads of notable women artists over the heads of Christ and the apostles in Leonardo’s “Last Supper”; Bourgeois was among them. The image became one of the most iconic of the feminist art movement.

  6. 1973

    The death of her husband Robert Goldwater

    Bourgeois’s husband Robert Goldwater died in 1973. Their marriage, which brought three sons (one of them adopted), lasted until his death.

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