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StartpaginaKaartCatalogus
  1. Collectie/
  2. Louvre/
  3. Minerve
Minerve, Fra Bartolomeo, 1e moitié du XVIe siècle (1500 - 1550)
Fra Bartolommeo, portretFra BartolommeoItalië, 1472–1517

Minerve

1e moitié du XVIe siècle (1500 - 1550) · Peintures

Mag men het zien?

Ja, het ontvangt bezoek

Louvre

Parijs, Frankrijk

Zaal710, Aile Denon, Niveau 1

Publiek tentoongesteld. Wie daarvoor instaat, staat hieronder.

Gecontroleerd
12 dagen geleden
Ongewijzigd sinds
26 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Over het schilderij

Minerva is an oil-on-panel painting created c. 1490–1495 by the Italian Renaissance painter Fra Bartolomeo, now in the Louvre in Paris. It forms a pair with Porcia (Uffizi).

Wikipedia · CC BY-SA

Gegevens

Inventarisnummer
RF 1945 9

In de catalogus

SchilderijenOlieverfItaliaanse schilderkunstRenaissance16e eeuw

Bronnen

  • Louvre
  • Afbeelding: Louvre — © 2024 GrandPalaisRmn (musée du Louvre) / Gabriel de Carvalho

Intussen, in het leven van Fra Bartolommeo

Het hele leven
  1. 26 July 1500

    Becomes a Dominican friar

    On 26 July 1500 Baccio della Porta became a Dominican friar and renounced painting for several years. The following year he entered the convent of San Marco in Florence (by other accounts he became a friar of San Marco already in 1500).

  2. 1504

    Returns to painting as head of the convent workshop

    In 1504, at the request of Fra Lucchese Santi Pagnini, later the prior, Fra Bartolomeo obeyed his superior and resumed painting for the benefit of his order as head of the convent workshop.

  3. 1504

    Friendship with the young Raphael

    In 1504 the young Raphael arrived in Florence and befriended Fra Bartolomeo: the friar learned perspective from the younger artist, while Raphael learned colouring and the handling of drapery from him. Their friendship lasted for the rest of their lives.

  4. early 1508

    To Venice: a commission for the Dominicans of Murano

    At the beginning of 1508 Fra Bartolomeo, drawn by the fame of the great Venetian painters, went to Venice and painted a God the Father with St Mary Magdalene and St Catherine of Siena for the Dominicans of San Pietro Martire on Murano, somewhat influenced by Venetian colourism. As the Dominicans never paid for it, he took the picture back to Lucca, where it remains.

  5. 1514

    To Rome to see the work of Michelangelo and Raphael

    In 1514 (by other accounts 1513) Fra Bartolomeo went to Rome to see the new works of Michelangelo and Raphael and was so impressed that he lost his self-confidence and hurried back to Florence. In Rome he painted a Peter and Paul (now in the Pinacoteca Vaticana), and on leaving he placed two unfinished pictures in Raphael’s hands, which Raphael completed.

  6. 31 oktober 1517

    Died

Meer van Fra Bartolommeo

Alle werken
Madonna and Child with the Young Saint John the Baptist, Fra Bartolomeo, ca. 1497

Madonna and Child with the Young Saint John the Baptist

ca. 1497 · Metropolitan Museum of Art

Portrait of a Man, Fra Bartolomeo, shortly after 1497

Portrait of a Man

shortly after 1497 · Metropolitan Museum of Art

Noli me tangere, Fra Bartolomeo, 1e quart du XVIe siècle (vers 1506)

Noli me tangere

1e quart du XVIe siècle (vers 1506) · Louvre

Le Mariage mystique de sainte Catherine de Sienne, avec saints Pierre, Vincent Ferrier, Étienne, Barthélémy, Dominique, François et deux autres saints, Fra Bartolomeo, 1e quart du XVIe siècle (1511)

Le Mariage mystique de sainte Catherine de Sienne, avec saints Pierre, Vincent Ferrier, Étienne, Barthélémy, Dominique, François et deux autres saints

1e quart du XVIe siècle (1511) · Louvre

Madonna and Child with Four Angels, Fra Bartolommeo, c. 1514

Madonna and Child with Four Angels

c. 1514 · Hermitage

L'Incarnation du Christ. L'Annonciation avec les saintes Marguerite et Marie-Madeleine et les saints Paul, Jean Baptiste, Jérôme et François, Fra Bartolomeo, 1e quart du XVIe siècle (1515)

L'Incarnation du Christ. L'Annonciation avec les saintes Marguerite et Marie-Madeleine et les saints Paul, Jean Baptiste, Jérôme et François

1e quart du XVIe siècle (1515) · Louvre

The Nativity, Fra Bartolommeo, 1504/07

The Nativity

1504/07 · Art Institute of Chicago

Two Friars on a Hillside [recto], Fra Bartolommeo

Two Friars on a Hillside [recto]

Niet te zien · National Gallery of Art

Buren in huis: Louvre

Museumpagina
Portrait de Lisa Gherardini, épouse de Francesco del Giocondo, dit La Joconde ou Monna Lisa, Léonard de Vinci, 1e quart du XVIe siècle (1503 - 1519)

Leonardo da Vinci

Mona Lisa, 1e quart du XVIe siècle (1503 - 1519)

Saint Jean Baptiste, Léonard de Vinci, 1e quart du XVIe siècle (vers 1517 - 1520)

Leonardo da Vinci

Bacchus, 1e quart du XVIe siècle (vers 1517 - 1520)

Saint Jean Baptiste, Léonard de Vinci, 1e quart du XVIe siècle (vers 1508 - 1519)

Leonardo da Vinci

Johannes de Doper, 1e quart du XVIe siècle (vers 1508 - 1519)

La Vierge et l'Enfant Jésus, dite Vierge au dévidoir ou Vierge aux fuseaux, Léonard de Vinci, XVIe siècle (vers 1505 - 1520)

Leonardo da Vinci

La Vierge et l'Enfant Jésus, dite Vierge au dévidoir ou Vierge aux fuseaux, XVIe siècle (vers 1505 - 1520)

La Vierge, l'Enfant Jésus et sainte Anne, dit La Sainte Anne, Léonard de Vinci, 1e quart du XVIe siècle (vers 1503 - 1519)

Leonardo da Vinci

Maria met kind en Sint-Anna, 1e quart du XVIe siècle (vers 1503 - 1519)

La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers, Léonard de Vinci, 4e quart du XVe siècle (vers 1483 - 1494)

Leonardo da Vinci

La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers, 4e quart du XVe siècle (vers 1483 - 1494)

Esclave rebelle, Buonarroti, Michelangelo dit Michel-Ange, 1513 - 1515

Michelangelo

Rebellious Slave, 1513 - 1515

Esclave mourant, Buonarroti, Michelangelo dit Michel-Ange, 1513 - 1515

Michelangelo

Dying Slave, 1513 - 1515