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StartpaginaKaartCatalogus
  1. Collectie/
  2. Victoria and Albert Museum/
  3. Meditation
Meditation, Roman Verostko, 1989
RRoman VerostkoVerenigde Staten

Meditation

1989 · Drawing

Mag men het zien?

Ontvangt momenteel niet

Victoria and Albert Museum

Londen, Verenigd Koninkrijk

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
13 dagen geleden
Ongewijzigd sinds
25 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Over het werk

Roman Verostko, born in Western Pennsylvania in 1929, maintains an experimental studio in Minneapolis where he has developed original algorithmic procedures for creating his art. Having been active as an exhibiting artist since 1963, his earliest use of electronics consisted of synchronized audio-visual programs dating from 1967-68. Aware of the awesome power of algorithmic procedure he began experimenting with code and exhibited his first coded art programs in the early 1980's. In 1987 he modified his software with interactive routines to drive paint brushes mounted on a pen plotter’s drawing arm, (see references).

Verder lezen

This work is an original drawing which is "one-of-kind". Each line was drawn on a plotter following the instructions given by Roman's program, Hodos. For this special edition, marking the opening of 'Pathways' at Honeywell, Roman prepared a data file to control the parameters. Following a number of experimental runs with program refinements, he made a final setting. The plotter worked around the clock for several days yielding a remarkably rich and varied series of drawings.

The red seal imprint was hand stamped with one of several seals that were made for the artist when he taught in China. The Chinese name, Ke Rong-Meng, was given to the artist by his Chinese teacher. Many of the drawings in this series show a strong structural use of the void in relation to a cluster of drawing activity. This and other features of this series, have an oriental flavour which the artist has consciously used in designing the piece. For the artist this series has been a 'meditation'.

This kind of edition, with each drawing having a unique form, demonstrates how "software art" uses the computer as an information enriched medium. It also clearly demonstrates how "software art" works in a way analogous to "genotype". Roman's software, Hodos, is a code carrying the information necessary to generate a form. While the works realised with this code bear a strong family resemblance, each one has unique, individual qualities. This is why this kind of computer assisted work is called "epigenetic" - its processes are analogous to biological epigenesis. This should not surprise us since biological analogues commonly crop up in relation to software as in the recent spread of software "virus".

(cit.: artist's own statement accompanying the work, Jan 13, 1989, Minneapolis)

Victoria and Albert Museum

Gegevens

Inventarisnummer
E.1089-2008

In de catalogus

Tekeningen & aquarellenHedendaagse kunst20e eeuwMinneapolis

Bronnen

  • Victoria and Albert Museum
  • Afbeelding: Victoria and Albert Museum — © Victoria and Albert Museum, London

Meer van Roman Verostko

Alle werken
Untitled, Roman Verostko, 1967

Untitled

1967 · Niet te zien · Victoria and Albert Museum

Untitled, Series: 20 Pathway, Roman Verostko, 1987

Untitled, Series: 20 Pathway

1987 · Niet te zien · Whitney Museum of American Art

Untitled, Roman Verostko, 1987

Untitled

1987 · Niet te zien · Victoria and Albert Museum

Pathway Series, Roman Verostko, 1987

Pathway Series

1987 · Niet te zien · Victoria and Albert Museum

Untitled, Roman Verostko, 1987

Untitled

1987 · Niet te zien · Victoria and Albert Museum

Untitled, Series: 11 Pathway, Roman Verostko, 1988

Untitled, Series: 11 Pathway

1988 · Niet te zien · Whitney Museum of American Art

Gaia Series, Roman Verostko, 1989-2003

Gaia Series

1989-2003 · Niet te zien · Victoria and Albert Museum

Pathway Series, Bird 2, Roman Verostko, 1990

Pathway Series, Bird 2

1990 · Niet te zien · Victoria and Albert Museum

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