
Wenceslaus HollarTsjechië, Engeland, 1607–1677Matrona Argentinensis
Kan ik het zien?
Onbekend
Waar is „Matrona Argentinensis” nu? Collectie: Rijksmuseum Amsterdam, Amsterdam. Onbekend.
Amsterdam, Nederland
De eigenaar is bekend; of het werk nu te zien is, is onbekend.
- Bron
- Het museum
Over het werk
Vrouw uit Straatsburg, van voren gezien, in een geplooid overkleed met platte kraag en poffende, halflange mouwen. Muts met vooruitstekende klep. Lijf met nauwsluitende mouwen met manchetten. Smalle plooikraag.
Rijksmuseum Amsterdam
Gegevens
- Inventarisnummer
- RP-P-OB-11.512
Wat het toont
In de catalogus
Bronnen
- Rijksmuseum Amsterdam
- Afbeelding: Rijksmuseum Amsterdam — public domain
In het leven van Wenceslaus Hollar
Het hele levenby 1642
Enters the service of the Duke of York
By 1642 Arundel had left England, and Hollar passed into the service of the Duke of York, taking his young family with him.
1643–1644
Endures the siege of Basing House with fellow royalist artists
With other royalist artists, notably Inigo Jones and the engraver William Faithorne, he stands the long siege of Basing House; some hundred plates by his hand are dated 1643 and 1644. The Civil War, despite his productivity, adversely affected his income.
1645
Captured by parliamentary forces, he escapes
Hollar joins the Royalist Regiment and is captured by parliamentary forces in 1645 during the siege of Basing House; after a short time he manages to escape.
1646
After Arundel’s death he works for authors and publishers
After the earl’s death in Padua in 1646, Hollar earns his living by working for various authors and publishers, which becomes his primary means of distribution.
1646
Meets Arundel again in Antwerp
In Antwerp in 1646 Hollar again meets the Earl of Arundel, in whose household he had lived for many years.
1646–1652
Works in Antwerp during the Civil Wars
During the unrest of the Civil Wars he works in Antwerp, where he produces many of his most renowned works: Dutch cityscapes, seascapes, depictions of nature, his “muffs” and “shells”.
![Bride, from "Dance of Death", Wenceslaus Hollar, [1651] late 18th century printing](https://images.metmuseum.org/CRDImages/dp/web-large/DP822840.jpg)





















