Ensor, JamesBelgië, 1860–1949Masks Confronting Death
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Ontvangt momenteel niet
Museum of Modern Art
New York, Verenigde Staten
Het hoort bij de collectie, maar is momenteel niet tentoongesteld.
- Gecontroleerd
- 12 dagen geleden
- Bron
- De eigen collectiegegevens van het museum
Gegevens
- Inventarisnummer
- 505.1951
Bronnen
- Museum of Modern Art: the museum's own open data · opgehaald 12 dagen geleden
- Afbeelding: Museum of Modern Art — © the artist or rights holder
Intussen, in het leven van Ensor, James
Het hele leven1860–1949 · Werkzaam in
Ostend
1880s
Brief trips to France and the Netherlands
Ensor travelled very little: in the 1880s, just three brief trips to France and two to the Netherlands.
1883–1893 · Lidmaatschap
Les XX
1887
Death of his father
His father, James Frederic Ensor, died — a scion of a wealthy English family who never found his footing in Belgium, mocked by small-town Ostend as a drunkard and failure, yet always supportive of his son's passion for art. Left the only man in the family, James felt a special responsibility for his younger sister Mariette (Mitche).
1888–1892
Turning-point years: the Passion of Christ
Ensor turned to religious themes, most often the torments of Christ, expressing through them his disgust at the inhumanity of the world; an atheist, he identified with Christ as a victim of mockery. At the height of his creative powers, between 1886 and 1891, he made 86 of his 133 etchings.
