Marine. Soleil couchant, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)
Claude Lorrain, portretClaude LorrainFrankrijk, 1600–1682

Marine. Soleil couchant

2e quart du XVIIe siècle (vers 1630 - 1635) · Peintures

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Waar is „Marine. Soleil couchant” nu? Louvre, Salle 827, Aile Richelieu, Niveau 2, Parijs. Ja, nu te zien. Gecontroleerd 12 oktober 2026.

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Gegevens

Inventarisnummer
INV 4721

In de catalogus

Bronnen

  • Louvre
  • Afbeelding: Louvre — © 2023 GrandPalaisRmn (musée du Louvre) / Mathieu Rabeau

In het leven van Claude Lorrain

Het hele leven
  1. 1620s

    Stops in Marseille, Genoa and Venice

    On his travels Claude stayed briefly in Marseille, Genoa and Venice and had the opportunity to study nature in France, Italy and Bavaria.

  2. late 1620s

    Meets Joachim von Sandrart

    In the late 1620s Claude met Joachim von Sandrart, who would write one of his early biographies and lived with him for a while; Sandrart reported that Claude already had a habit of sketching outdoors, particularly at dawn and dusk, and of making oil studies on the spot.

  3. 1633–1635

    Growing fame: commissions from the French ambassador and Philip IV

    Claude’s growing reputation was shown by commissions from the French ambassador in Rome (1633) and from Philip IV of Spain (1634–35).

  4. 1634

    Admitted to the Academy of Saint Luke

    In 1634 Claude was admitted to the Academy of Saint Luke.

  5. 1635

    Recognition: his pictures are in demand

    From 1635 Claude’s work was recognised and his paintings were in great demand; his patrons included Pope Urban VIII (four works), Cardinal Bentivoglio and Prince Colonna.

  6. 1635–1638

    Pope Urban VIII commissions four paintings

    According to Baldinucci, Cardinal Guido Bentivoglio, impressed by the two landscapes Claude painted for him, recommended the artist to Pope Urban VIII; four paintings were made for the Pope in 1635–38, two large and two small on copper.

Alle werken

In dezelfde zaal · Salle 827, Aile Richelieu, Niveau 2, Louvre

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