Marina, Alfred Stieglitz, 1887, printed 1895/1896

Alfred StieglitzVerenigde Staten, 1864–1946

Marina

1887, printed 1895/1896 · Photograph

Mag men het zien?

Ontvangt momenteel niet

National Gallery of Art

Washington D.C., Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd: 9 dagen geleden
Ongewijzigd sinds: 19 aug 2026
Bron: Het museum

Op de kaart Museumpagina

Gegevens

Inventarisnummer: 1949.3.32

Wat het toont

Vrouw Italië Portret Travel

In de catalogus

Foto’s Platinadruk Impressionisme 19e eeuw American

Bronnen

National Gallery of Art
Afbeelding: National Gallery of Art — © the artist or rights holder

Intussen, in het leven van Alfred Stieglitz

Het hele leven

1887
First prize for “The Last Joke, Bellagio”
His photograph The Last Joke, Bellagio won first place in the annual photography competition of the British magazine Amateur Photographer.
1888
First and second prizes in the same competition
The following year his works took both first and second places in the same competition. His reputation grew sharply, and British and German magazines began publishing his photographs.
1890
His sister Flora dies; he returns to New York
In 1890 his sister Flora died in childbirth, and Stieglitz returned to New York. Considering himself an artist, he refused to sell his photographs, so his father bought him a small photography business, the Photochrome Engraving Company, which rarely made a profit because of his demand for quality and the high wages he paid.
spring 1893
Co-editor of The American Amateur Photographer
In the spring of 1893 Stieglitz became co-editor of The American Amateur Photographer but refused a salary: his Photochrome company was now printing the magazine's photogravures, and he wanted to avoid any appearance of bias.
c. 16.11.1893
Married: Emmeline Stieglitz
July 1897
First issue of Camera Notes
Stieglitz turned the Camera Club's newsletter into a magazine, Camera Notes, with full control over it; the first issue appeared in July 1897, and it was soon considered the finest photographic magazine in the world. The critic Sadakichi Hartmann wrote that artistic photography, the Camera Club and Alfred Stieglitz seemed to him three names for one and the same thing.