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Waar het meesterwerk hangt en wanneer men u toelaat.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (6 musea), Paris Musées (12 musea) en Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus
  1. Collectie/
  2. Museum of Modern Art/
  3. Marilyn Monroe, I
Marilyn Monroe, I, James Rosenquist, 1962
James Rosenquist, portretJames RosenquistVerenigde Staten, 1933–2017

Marilyn Monroe, I

1962 · Painting

Mag men het zien?

Ontvangt momenteel niet

Museum of Modern Art

New York, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
9 dagen geleden
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1962 · op 29-jarige leeftijd
19332017
Inventarisnummer
646.1967

In de catalogus

SchilderijenOlieverfAmerikaanse schilderkunstNaoorlogse kunst20e eeuw

Bronnen

  • Museum of Modern Art
  • Afbeelding: Museum of Modern Art — © the artist or rights holder

Intussen, in het leven van James Rosenquist

Het hele leven
  1. 1957–1960

    A billboard painter in Times Square

    He first worked as a chauffeur, then joined the International Brotherhood of Painters and Allied Trades and from 1957 to 1960 earned his living painting billboards around Times Square, becoming lead painter for Artkraft-Strauss and painting displays and windows across Fifth Avenue. He later recalled painting billboards above every candy store in Brooklyn and being able to paint a Schenley whiskey bottle in his sleep.

  2. 1960

    Gives up sign painting after a friend’s death

    By 1960 Rosenquist abandoned sign painting after a friend died falling from scaffolding on the job. Instead of commercial work he focused on personal projects in his own studio, developing a style that kept the imagery, bold hues and scale of his billboard work; from 1960 he began to make large-format canvases based on advertising posters in the Pop Art manner.

  3. 5 June 1960

    Marries Mary Lou Adams

    On 5 June 1960 Rosenquist married Mary Lou Adams; they had a son, John. The marriage ended in divorce.

  4. 1962

    First solo exhibition at the Green Gallery

    In 1962 Rosenquist’s first solo exhibition was held at the Green Gallery in New York and attracted great attention from the public and the press.

  5. 1963

    A second Green Gallery show and “Young Talent USA”

    In 1963 Rosenquist had his second solo exhibition at the Green Gallery and was selected for Art in America’s “Young Talent USA”.

  6. 1964

    Meets Andy Warhol

    Critics grouped Rosenquist with the Pop artists because he used recognisable imagery, but he did not meet Andy Warhol until 1964 and did not know Warhol or Roy Lichtenstein very well: in his words, they all emerged separately.

Meer van James Rosenquist

Alle werken
F-111, James Rosenquist, 1964-65

F-111

1964-65 · Museum of Modern Art

Mirrored Flag, James Rosenquist, 1971

Mirrored Flag

1971 · National Gallery of Art

Spectator - Speed of Light, James Rosenquist, 2001

Spectator - Speed of Light

2001 · National Gallery of Art

Flag, Jasper Johns, 1969

Flag

1969 · National Gallery of Art

The Critic Smiles, Jasper Johns, 1969

The Critic Smiles

1969 · National Gallery of Art

Certificate (plate 14) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America), James Rosenquist, 1962, published 1964

Certificate (plate 14) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)

1962, published 1964 · Niet te zien · Museum of Modern Art

Doorstop, James Rosenquist, 1963

Doorstop

1963 · Niet te zien · Museum of Modern Art

White Bread, James Rosenquist, 1964

White Bread

1964 · Niet te zien · National Gallery of Art

Buren in huis: Museum of Modern Art

Museumpagina
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950