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Waar het meesterwerk hangt en wanneer men u toelaat.

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StartpaginaKaartCatalogus
  1. Collectie/
  2. Herzog Anton Ulrich-Museum/
  3. Marias Himmelfahrt
Marias Himmelfahrt, Titian, 16th century
Titian, portretTitianItalië, 1490–1576

Marias Himmelfahrt

16th century · Drawing

Mag men het zien?

Onbekend

Herzog Anton Ulrich-Museum

Braunschweig, Duitsland

De eigenaar is bekend; of het werk nu te zien is, is onbekend.

Ongewijzigd sinds
27 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

Intussen, in het leven van Titian

Het hele leven
  1. 1516–1517

    First Painter of the Republic of Venice

    After the death of Giovanni Bellini, the “patriarch of Venetian painting”, in November 1516 Titian was given the title of First Painter of the Republic (he had petitioned for the post as early as 1513). The title carried a decent salary but obliged him to paint portraits of newly elected doges for a symbolic fee; Titian kept it until his death.

  2. 1533

    Bologna: Count Palatine and Knight of the Golden Spur

    In 1533, after painting a portrait of Emperor Charles V in Bologna, Titian was made a Count Palatine and Knight of the Golden Spur; his children were reportedly also made nobles of the Empire. He was court painter to Charles V from 1533 and received from him a heavy gold chain.

  3. 1545–1546

    A triumphant trip to Rome

    In 1545–1546 Titian made a triumphant trip to Rome, painting portraits of Pope Paul III and meeting Michelangelo. Returning to Venice, he found that the most lucrative commissions were going to other, younger artists.

  4. 1547–1548

    Augsburg: the “Equestrian Portrait of Charles V”

    In 1547 Titian was summoned from Venice to Augsburg to paint portraits of Charles V and other dignitaries; at the Diet in early 1548 he completed six paintings, among them the “Equestrian Portrait of Charles V”. He also made the emperor aware that he had not received a single payment of his stipend, and on 10 July 1548 Charles V granted him a second annual pension of 100 scudi.

  5. 27 August 1576

Meer van Titian

Alle werken

Uit de collectie: Herzog Anton Ulrich-Museum

Museumpagina

Over hetzelfde thema · Angel

Alle werken over dit thema

Dies at the height of the plague

While the plague raged in Venice, Titian died on 27 August 1576; given the modern scholarly consensus on his birth date, he would have been at least eighty-six years old and no more than ninety.

  • 27 augustus 1576

    Died

  • Wat het toont

    AngelHimmelfahrtSarkophagCloudsMariä Himmelfahrt (assumptio corporis): sie wird von Engeln zum Himmel emporgetragen

    In de catalogus

    Tekeningen & aquarellenRenaissance16e eeuw

    Bronnen

    • Herzog Anton Ulrich-Museum
    • Afbeelding: Herzog Anton Ulrich-Museum — CC BY-NC-SA 4.0
    Venus and Adonis, Titian, 1550s

    Venus and Adonis

    1550s · Metropolitan Museum of Art

    La Mise au tombeau ou Le Transport du Christ vers le tombeau, Titien, 1e quart du XVIe siècle (1500 - 1525)

    La Mise au tombeau ou Le Transport du Christ vers le tombeau

    1e quart du XVIe siècle (1500 - 1525) · Louvre

    Portrait d'homme, dit L'Homme au gant, Titien, 1e quart du XVIe siècle (1500 - 1525)

    Man with a Glove

    1e quart du XVIe siècle (1500 - 1525) · Louvre

    Allégorie conjugale (Allégorie de la séparation?), dit à tort Allégorie d'Alphonse d'Avalos, Titien, XVIe siècle (1500 - 1600)

    Allégorie conjugale (Allégorie de la séparation?), dit à tort Allégorie d'Alphonse d'Avalos

    XVIe siècle (1500 - 1600) · Louvre

    La Vierge à l' Enfant avec saint Étienne, saint Jérôme et saint Maurice, Titien, 1e quart du XVIe siècle (1500 - 1525)

    La Vierge à l' Enfant avec saint Étienne, saint Jérôme et saint Maurice

    1e quart du XVIe siècle (1500 - 1525) · Louvre

    Les Pèlerins d'Emmaüs, Titien, XVIe siècle (1500 - 1600)

    Les Pèlerins d'Emmaüs

    XVIe siècle (1500 - 1600) · Louvre

    Saint Jérôme pénitent, Titien, XVIe siècle (1500 - 1600)

    Saint Jérôme pénitent

    XVIe siècle (1500 - 1600) · Louvre

    Portrait d'homme, main à la ceinture, Titien, 1e quart du XVIe siècle (1500 - 1525)

    Portrait d'homme, main à la ceinture

    1e quart du XVIe siècle (1500 - 1525) · Louvre

    Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

    Caravaggio

    Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

    Ecce Homo, Caravaggio, 1674–1684

    Caravaggio

    Ecce Homo, 1674–1684

    Heiliger Hieronymus, Caravaggio

    Caravaggio

    Heiliger Hieronymus

    Bildnis eines Mannes, Rembrandt, 1839–1850

    Rembrandt van Rijn

    Bildnis eines Mannes, 1839–1850

    Bildnis einer Frau, Rembrandt, 1839–1850

    Rembrandt van Rijn

    Bildnis einer Frau, 1839–1850

    Tobias und seine Frau, Rembrandt, 1773

    Rembrandt van Rijn

    Tobias und seine Frau, 1773

    Tobias und seine Frau, Rembrandt, 1773

    Rembrandt van Rijn

    Tobias und seine Frau, 1773

    Lot mit seinen Töchtern, Rembrandt, 1771

    Rembrandt van Rijn

    Lot mit seinen Töchtern, 1771

    Madonna and Child Enthroned with Saints, Raphael, ca. 1504

    Raphael

    Madonna and Child Enthroned with Saints, ca. 1504

    Metropolitan Museum of Art

    Ia Orana Maria (Hail Mary), Paul Gauguin, 1891

    Paul Gauguin

    Ia Orana Maria (Hail Mary), 1891

    Metropolitan Museum of Art

    The Adoration of the Magi, Giotto di Bondone, possibly ca. 1320

    Giotto

    The Adoration of the Magi, possibly ca. 1320

    Metropolitan Museum of Art

    Crucifixion and Last Judgement diptych, Jan van Eyck, ca. 1436–38

    Jan van Eyck

    Crucifixion and Last Judgement diptych, ca. 1436–38

    Metropolitan Museum of Art

    Heiliger Hieronymus, Caravaggio

    Caravaggio

    Heiliger Hieronymus

    Herzog Anton Ulrich-Museum

    The Holy Family, Elisha Kirkall after Raphael, early 18th century

    Raphael

    The Holy Family, early 18th century

    Niet te zien · National Gallery of Art

    The Vision of Saint Helena, Marcantonio Raimondi possibly after Raphael, 1515-1520

    Raphael

    The Vision of Saint Helena, 1515-1520

    Niet te zien · National Gallery of Art

    Two Sibyls and an Angel, Giovanni Antonio da Brescia, after Raphael, c. 1520s

    Raphael

    Two Sibyls and an Angel, c. 1520s

    Niet te zien · National Gallery of Art