Mackerel and Halibut, Utagawa Hiroshige, 1830s
Utagawa Hiroshige, portretUtagawa HiroshigeJapan, 1797–1858

Mackerel and Halibut

1830s · Print

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Waar is „Mackerel and Halibut” nu? Collectie: Minneapolis Institute of Art, Minneapolis. Nu niet te zien. Gecontroleerd 29 september 2026.

Minneapolis Institute of Art

Minneapolis, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

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Gegevens

Inventarisnummer
P.75.51.563

In de catalogus

Bronnen

In het leven van Utagawa Hiroshige

Het hele leven
  1. 1809–1832

    Post: dōshin

  2. 1828

    He declines to succeed Toyohiro

    On the death of his master Toyohiro in 1828, Hiroshige declined an offer to succeed him.

  3. 1829–1830

    The turn to landscape: “Eight Views of Ōmi”

    Until then Hiroshige had worked in the usual ukiyo-e themes: book illustrations, beauties and kabuki actors. It was not until 1829–1830 that he began to produce the landscapes he is known for, such as the series “Eight Views of Ōmi”, and he also made an increasing number of bird and flower prints.

  4. 1832

    Journey to Kyoto along the Tōkaidō

    As a fire warden he was entitled to minor privileges reserved for low-ranking samurai, which is how he secured an invitation to join an official procession to Kyoto and travelled the Tōkaidō route linking the two capitals. He sketched the scenery along the way.

  5. October 1838

    Death of his first wife, who had helped fund his travels

    Hiroshige's first wife, who had helped finance his trips to sketch travel locations, once selling some of her clothing and ornamental combs, died in October 1838.

  6. after October 1838

    Second marriage: Oyasu from Tōtōmi Province

    After his first wife's death Hiroshige remarried to Oyasu, sixteen years his junior, the daughter of a farmer named Kaemon from Tōtōmi Province.

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