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StartpaginaKaartCatalogus
  1. Collectie/
  2. Victoria and Albert Museum/
  3. Lion
Lion, Alfred George Stevens, ca. 1852
Alfred Stevens, portretAlfred StevensVerenigd Koninkrijk, 1817–1875

Lion

ca. 1852 · Statuette

Mag men het zien?

Ontvangt momenteel niet

Victoria and Albert Museum

Londen, Verenigd Koninkrijk

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
13 dagen geleden
Ongewijzigd sinds
25 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Over de sculptuur

This bronze is copied from a model made by Stevens in about 1852 for the seated lions he cast for tops of the dwarf posts by the entrance lodges outside London's British Museum. According to one admirer, 'the number of imitations of this lion by other artists is their sincerest tribute; and technically it is equally a triumph for Stevens in the small number (20) of pieces which are necessary in the mould for casting it'. Armstrong commented, 'They display, perhaps, the nearest approach to the Gothic spirit of which Stevens was capable (Armstrong 1881, p. 15). The lions are no longer in position, having been removed in 1896 to railings outside the Charles Holden part of the Law Society building in Chancery Lane. Others were placed on the railings around the Wellington monument in St Paul's Cathedral, London after Stevens's death, between 1892 and 1912, when the tomb was removed from the Consistory Chapel in St Paul's. Two further plaster versions of the British Museum lion figure were acquired by the Museum in 1975 from the Tate Gallery, London.

Verder lezen

A sculptor, designer and painter, Alfred Stevens (1817/18-1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.

The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.

Victoria and Albert Museum

Gegevens

ca. 1852
18171875
Inventarisnummer
A.21-1945

In de catalogus

BeeldhouwkunstBronsRealisme19e eeuwEngeland

Bronnen

  • Victoria and Albert Museum
  • Afbeelding: Victoria and Albert Museum — © Victoria and Albert Museum, London

Meer van Alfred Stevens

Alle werken
Model for the Wellington Monument in St Paul's Cathedral, Alfred George Stevens, 1857

Model for the Wellington Monument in St Paul's Cathedral

1857 · Victoria and Albert Museum

Valour and Cowardice, Alfred George Stevens, 1866

Valour and Cowardice

1866 · Victoria and Albert Museum

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Model for Wellington Monument: Truth and Falsehood

1867-8 · Victoria and Albert Museum

William Blundell Spence, Alfred Stevens, 1851

William Blundell Spence

1851 · National Gallery

Woman with Book (recto); Sketches of Male Figure (verso), Alfred George Stevens, n.d.

Woman with Book (recto); Sketches of Male Figure (verso)

n.d. · Niet te zien · Art Institute of Chicago

Decorative Design with Putti and Griffins, Alfred George Stevens, n.d.

Decorative Design with Putti and Griffins

n.d. · Niet te zien · Art Institute of Chicago

Drawing, Alfred George Stevens

Drawing

Niet te zien · Victoria and Albert Museum

Drawing, Alfred George Stevens

Drawing

Niet te zien · Victoria and Albert Museum

Buren in huis: Victoria and Albert Museum

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