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StartpaginaKaartCatalogus
  1. Collectie/
  2. Museum of Modern Art/
  3. Landscape with Noses
Landscape with Noses, Claes Oldenburg, 1975
Claes Oldenburg, portretClaes OldenburgVerenigde Staten, 1929–2022

Landscape with Noses

1975 · Print

Mag men het zien?

Ontvangt momenteel niet

Museum of Modern Art

New York, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
9 dagen geleden
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1975 · op 46-jarige leeftijd
19292022
Inventarisnummer
865.1978

In de catalogus

PrentenAquatintHedendaagse kunst20e eeuw

Bronnen

  • Museum of Modern Art
  • Afbeelding: Museum of Modern Art — © the artist or rights holder

Intussen, in het leven van Claes Oldenburg

Het hele leven
  1. 1969–1977

    His relationship with Hannah Wilke

    From 1969 to 1977 Oldenburg was in a relationship with the feminist artist and sculptor Hannah Wilke: they shared studios and travelled together, and she often photographed him. His marriage to Patty Mucha ended in 1970.

  2. early 1970s

    Turning to public commissions: “Three-Way Plug”

    From the early 1970s Oldenburg concentrated almost exclusively on public commissions; his first public work, “Three-Way Plug”, was commissioned by Oberlin College with a grant from the National Endowment for the Arts.

  3. 1972–1993

    His brother Richard heads MoMA

    From 1972 to 1993 the artist's brother, the art historian Richard E. Oldenburg, was director of the Museum of Modern Art in New York, and later chairman of Sotheby's America.

  4. 1976

    The partnership with Coosje van Bruggen begins

    From 1976 Oldenburg worked with the Dutch-American writer and art historian Coosje van Bruggen — 30 years and over 40 “large-scale projects”. Their first collaboration was reworking “Trowel I” (1971) for the grounds of the Kröller-Müller Museum in Otterlo.

  5. 1977

    Married: Coosje van Bruggen

Meer van Claes Oldenburg

Alle werken
U.S.A. Flag, Claes Oldenburg, 1960

U.S.A. Flag

1960 · National Gallery of Art

Pastry Case, I, Claes Oldenburg, 1961-62

Pastry Case, I

1961-62 · Museum of Modern Art

Glass Case with Pies (Assorted Pies in a Case), Claes Oldenburg, 1962

Glass Case with Pies (Assorted Pies in a Case)

1962 · National Gallery of Art

Two Cheeseburgers, with Everything (Dual Hamburgers), Claes Oldenburg, 1962

Two Cheeseburgers, with Everything (Dual Hamburgers)

1962 · Museum of Modern Art

Giant Soft Fan, Claes Oldenburg, 1966-67

Giant Soft Fan

1966-67 · Museum of Modern Art

Soft Drainpipe - Red (Hot) Version, Claes Oldenburg, 1967

Soft Drainpipe - Red (Hot) Version

1967 · National Gallery of Art

Typewriter Eraser, Scale X, Claes Oldenburg and Coosje van Bruggen, model 1998, fabricated 1999

Typewriter Eraser, Scale X

model 1998, fabricated 1999 · National Gallery of Art

Soft Dormeyer Mixer, Claes Oldenburg, 1965

Soft Dormeyer Mixer

1965 · Whitney Museum of American Art

Buren in huis: Museum of Modern Art

Museumpagina
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950