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StartpaginaKaartCatalogus
  1. Collectie/
  2. National Gallery of Art/
  3. Landscape (Paysage)
Landscape (Paysage), Paul Sérusier, 1893
Sérusier, Paul, portretSérusier, PaulDenemarken, 1864–1927

Landscape (Paysage)

1893 · Print

Mag men het zien?

Ontvangt momenteel niet

National Gallery of Art

Washington D.C., Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
9 dagen geleden
Ongewijzigd sinds
19 aug 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1893 · op 29-jarige leeftijd
18641927
Inventarisnummer
2001.136.77

In de catalogus

PrentenLithografieImpressionisme19e eeuwFrench

Bronnen

  • National Gallery of Art
  • Afbeelding: National Gallery of Art — Museum open access

Intussen, in het leven van Sérusier, Paul

Het hele leven
  1. early 1890s

    Ideologist of the Nabis and a central figure of the early 1890s

    He leads a whole movement, and many discoveries of Gauguin, who has left for Oceania, are attributed to him; the Nabis group (its name from the Hebrew word for “prophet”) proclaims a program of painterly Symbolism: emotions and symbols can be conveyed through the relationships of forms. The critic Albert Aurier calls him the first among the young artists in his article “The Symbolists” and promises him a great future.

  2. 1892

    Meeting Charles Mackie

    He meets and befriends the Scottish artist Charles Hodge Mackie while Mackie and his wife are honeymooning in France.

  3. 1895

    Travels in Italy and Germany with Maurice Denis

    Travelling through Italy and Germany with Maurice Denis, he is among the first European artists to discover the special beauty of the Italian and German primitives, finding in them expressive power and originality of decorative solutions.

  4. 1895

    “Pastorale Bretonne” in The Evergreen

    His friendship with Mackie leads him to contribute the illustration “Pastorale Bretonne” to “The Evergreen: A Northern Seasonal: The Book of Spring”, published by Patrick Geddes and colleagues in Edinburgh.

Meer van Sérusier, Paul

Alle werken
Farmhouse at Le Pouldu, Paul Sérusier, 1890

Farmhouse at Le Pouldu

1890 · National Gallery of Art

The Beach of Les Grands Sables at Le Pouldu, Paul Sérusier, 1890

The Beach of Les Grands Sables at Le Pouldu

1890 · Art Institute of Chicago

The Harvest of Buckwheat, Paul Sérusier, 1899

The Harvest of Buckwheat

1899 · Art Institute of Chicago

Rochers dans la rivière, Paul Serusier, 4e quart 19e siècle, 1ère moitié 20e siècle

Rochers dans la rivière

4e quart 19e siècle, 1ère moitié 20e siècle · Musée des Beaux-Arts de Brest

En forêt, Paul Serusier, 4e quart 19e siècle, 1ère moitié 20e siècle

En forêt

4e quart 19e siècle, 1ère moitié 20e siècle · Musée des Beaux-Arts de Brest

Deux Bretonnes, Paul Serusier, 4e quart 19e siècle, 1ère moitié 20e siècle

Deux Bretonnes

4e quart 19e siècle, 1ère moitié 20e siècle · Musée des Beaux-Arts de Brest

Le Talisman, l'Aven au Bois d'Amour, Paul Sérusier, 1888

Le Talisman, l'Aven au Bois d'Amour

1888 · Musée d'Orsay

Bretonne donnant à manger aux cochons, Paul Sérusier, 1889

Bretonne donnant à manger aux cochons

1889 · Musée d'Orsay

Buren in huis: National Gallery of Art

Museumpagina
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portret van Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Meisje in Wit, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Boerderij in de Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888