Sonia DelaunayRusland, 1885–1979La marchande d'oranges
Kan ik het zien?
Onbekend
Waar is „La marchande d'oranges” nu? Collectie: Musée d'Art Moderne de la Ville de Paris, Parijs. Onbekend.
Parijs, Frankrijk
De eigenaar is bekend; of het werk nu te zien is, is onbekend.
- Ongewijzigd sinds
- Bron
- Het museum
Gegevens
- Inventarisnummer
- AMD 322
In de catalogus
Bronnen
- Musée d'Art Moderne de la Ville de Paris
- Afbeelding: Musée d'Art Moderne de la Ville de Paris — Paris Musées / Musée d'Art moderne de Paris / © Pracusa S.A.; Ministère de la Culture (France), base Joconde
In het leven van Sonia Delaunay
Het hele leven1913
The Autumn Salon in Berlin
The simultaneous book was shown at the Autumn Salon in Berlin together with Sonia's paintings and applied works, including dresses.
1913
Apollinaire names their painting Orphism
Guillaume Apollinaire gave the name Orphism to the version of Cubism that Sonia and Robert Delaunay developed in their work.
1914
The First World War catches the Delaunays in Spain
The Delaunays travelled to Spain to stay with friends in Madrid; the outbreak of the First World War found Sonia and Robert in Hondarribia, in the Basque Country, with their son still in Madrid, and they decided not to return to France.
1916
Solo exhibition in Stockholm
Sonia Delaunay had a solo exhibition in Stockholm.
1917
The Russian Revolution cuts off her family's money
The Russian Revolution ended the financial support Sonia received from her family in Russia, and a new source of income was needed: in Madrid she decorated the Petit Casino nightclub and founded Casa Sonia, selling her designs for interiors and fashion, with a branch in Bilbao, and became the centre of a Madrid salon.
1917
Meets Diaghilev in Madrid
The Delaunays met Sergei Diaghilev: Sonia designed costumes for his production of “Cleopatra” (sets by Robert) and for “Aida” in Barcelona. She restored Léon Bakst's burnt sets for Fokine's “Cleopatra” for its showing at the London Coliseum in 1918.
