Kruisiging

1516 · Print

Mag men het zien?

Onbekend

Rijksmuseum Amsterdam

Amsterdam, Nederland

De eigenaar is bekend; of het werk nu te zien is, is onbekend.

Bron: Het museum

Op de kaart Museumpagina

Over het werk

Christus aan het kruis. Aan zijn rechterzijde staat Maria, aan zijn linkerzijde Johannes de Evangelist. In de hemel verschijnt God, omgeven door engelen. Het geheel in ornamentale lijst met engelen die de passiewerktuigen vasthouden.

Rijksmuseum Amsterdam

Gegevens

Inventarisnummer: RP-P-OB-1369

Wat het toont

Single instruments of the Passion Crucified Christ with Mary and John on either side of the cross Holy Rood

In de catalogus

Prenten Renaissance 16e eeuw

Bronnen

Rijksmuseum Amsterdam
Afbeelding: Rijksmuseum Amsterdam — public domain

Intussen, in het leven van Albrecht Dürer

Het hele leven

1507–1528 · Werkzaam in
Nuremberg
1513–1516
Three years without painting
Complaining that painting did not pay enough to justify the time compared with his prints, Dürer produced no paintings from 1513 to 1516.
1514
Death of his mother
In the year of Melencolia I and St Jerome in His Study, the artist's mother, Barbara Holper, died.
1515
A life pension from the emperor
The perpetually cash-strapped Maximilian could not pay on time and offered to exempt the artist from city taxes, which the Nuremberg Council opposed. At Dürer's request the emperor granted him a life pension of 100 guilders a year from the sums Nuremberg paid into the imperial treasury.
1517
Joins Nuremberg's circle of reformers
Dürer joined the circle of Nuremberg reformers led by the Augustinian vicar Johann Staupitz and Wenceslaus Linck. Around 1518 he came to know the writings of Martin Luther, which, he said, had “greatly helped” him.
summer 1518
At the Imperial Diet in Augsburg
Dürer represented Nuremberg at the Imperial Diet in Augsburg, where he drew Maximilian I and Albrecht of Brandenburg and painted a portrait of Jakob Fugger.