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StartpaginaKaartCatalogus
  1. Collectie/
  2. Harvard Art Museums/
  3. Kempten
Kempten, John Ruskin, July 26, 1859
John Ruskin, portretJohn RuskinEngeland, 1819–1900

Kempten

July 26, 1859 · Drawing

Mag men het zien?

Ontvangt momenteel niet

Harvard Art Museums

Cambridge, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
27 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

July 26, 1859 · op 40-jarige leeftijd
18191900
Inventarisnummer
1926.33.144

In de catalogus

Tekeningen & aquarellenInktRealisme19e eeuwVerenigd Koninkrijk

Bronnen

  • Harvard Art Museums
  • Afbeelding: Harvard Art Museums — © President and Fellows of Harvard College

Intussen, in het leven van John Ruskin

Het hele leven
  1. 1834–1900 · Werkzaam in

    Great Britain

  2. 1850s

    Patron of Hunt, Rossetti and Burne-Jones

    Ruskin continues to support Holman Hunt and Rossetti, provides an annuity of £150 in 1855–57 to Rossetti's wife Elizabeth Siddal (and pays for Henry Acland's medical care of her), and gives critical and financial help to John Brett, John William Inchbold and Edward Burne-Jones, whom he calls “Brother Ned”. His father disapproves of such friends — a further cause of tension between them.

  3. 1858

    Turin: Veronese against a dull sermon

    In Turin Ruskin sits through a particularly dull sermon at a Waldensian church and sees Paolo Veronese's “Presentation of the Queen of Sheba” at the Galleria Sabauda; later, in April 1877, he will name this as the start of his “unconversion” from Evangelical Christianity. His faith, long shaken by Biblical and geological scholarship, collapses, and, believing that much of his writing had rested on lies and half-truths, Ruskin goes through a deep personal crisis before returning to Christianity after a long struggle.

  4. 1858

    Meeting Rose La Touche

    In 1858 Ruskin meets Rose La Touche (1848–1875), from an extremely devout Protestant family; during a period of acute religious crisis he falls passionately in love, first with the girl and then with the young woman.

  5. May 1858

    Completes his work on the Turner Bequest

    Having persuaded the National Gallery to let him work on the Turner Bequest — nearly 20,000 works left to the nation by the painter — Ruskin completes the enormous task of cataloguing, framing and conserving them by May 1858. Four hundred watercolours are displayed in cabinets of his own design.

  6. August – November 1860

    “Unto This Last” in the Cornhill Magazine

    In four essays published in the Cornhill Magazine Ruskin rejects the division of labour as dehumanising and calls political economy a false “science” that ignores the social affections that bind communities together, but the editor, Thackeray, is forced to abandon the series by the outcry of conservative readers and a nervous publisher. The national press is hostile and his father disapproves, while Carlyle is delighted and declares that they are henceforth “a minority of two”.

Meer van John Ruskin

Alle werken
Architectural details from the Sagredo Palace, Venice, John Ruskin, 19th century

Architectural details from the Sagredo Palace, Venice

19th century · Victoria and Albert Museum

View of Amalfi, John Ruskin, 1844

View of Amalfi

1844 · Harvard Art Museums

Fragment of the Alps, John Ruskin, c. 1854-1856

Fragment of the Alps

c. 1854-1856 · Harvard Art Museums

Tree Study, John Ruskin, mid-1850s

Tree Study

mid-1850s · Niet te zien · National Gallery of Art

Gezicht op S. Anastasia te Verona, over de Adige, John Ruskin, 1829 - 1900

Gezicht op S. Anastasia te Verona, over de Adige

1829 - 1900 · Rijksmuseum Amsterdam

Bergkam aan het Meer van Genève, John Ruskin, 1829 - 1900

Bergkam aan het Meer van Genève

1829 - 1900 · Rijksmuseum Amsterdam

The Garden of San Miniato near Florence, John Ruskin, 1845

The Garden of San Miniato near Florence

1845 · Niet te zien · National Gallery of Art

Tower of the Cathedral at Sens, John Ruskin, c. 1845

Tower of the Cathedral at Sens

c. 1845 · Niet te zien · National Gallery of Art

Buren in huis: Harvard Art Museums

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