Michael WolgemutDuitsland, 1434–1519Judith and Holofernes
Mag men het zien?
Ontvangt momenteel niet
Minneapolis Institute of Art
Minneapolis, Verenigde Staten
Het hoort bij de collectie, maar is momenteel niet tentoongesteld.
- Gecontroleerd
- Ongewijzigd sinds
- Bron
- Het museum
Over het werk
Early on, Judith was a hero, the resourceful widow who saved her people by decapitating the Assyrian general Holofernes. In the 12th-century Speculum Virginum she symbolized the triumph of humility over pride; in other handbooks she prefigured the Virgin Mary. Yet in the late 15th century, Judith became a femme fatale.
In this multi-scene narrative, Judith is still more victor than villain. At top she ventures from the Israelite city of Bethulia with her maid, intent on charming the enemy Holofernes into complacency so she can murder him. In the foreground, we see the urgency of her mission: Holofernes' army is overwhelming Bethulia's. After plying the general with wine, Judith severs his head and takes it back to Bethulia to display from the battlements, visible at the top left.
Minneapolis Institute of Art
Gegevens
- Inventarisnummer
- P.10, 960
In de catalogus
Bronnen
- Minneapolis Institute of Art
- Afbeelding: Minneapolis Institute of Art — public domain
![Buchseite aus: Fridolin, Stephan: Schatzbehalter. Nürnberg: Anton Koberger, 1491, fol. 117 [Die zwuvndsibentzigist figur; Die Verspottung Christi], Michael Wolgemut, 1491](https://diglib.hab.de/varia/haum/m-wohlgemuth-wb3-0003/max/000001.jpg)
![Buchseite aus: Fridolin, Stephan: Schatzbehalter. Nürnberg: Anton Koberger, 1491, fol. 53 [Der funffundzweintzigist figur zum andern mal; Die Verkündigung], Michael Wolgemut, 1491](https://diglib.hab.de/varia/haum/m-wohlgemuth-wb3-0001/max/000001.jpg)
