George CatlinVerenigde Staten, 1796–1872Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior
Kan ik het zien?
Ja, nu te zien
Waar is „Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior” nu? Smithsonian American Art Museum, Luce Foundation Center, 3rd Floor, 3A, Washington D.C. Ja, nu te zien. Gecontroleerd 25 september 2026.
Washington D.C., Verenigde Staten
ZaalLuce Foundation Center, 3rd Floor, 3A
Nu open· tot 19:00
Publiek tentoongesteld.
- Gecontroleerd
- Ongewijzigd sinds
- Bron
- Het museum
Over het schilderij
“Amongst those tribes who thus shave and ornament their heads, the crest is uniformly blood-red; and the upper part of the head, and generally a considerable part of the face, as red as they can possibly make it with vermilion. I found these people cutting off the hair with small scissors, which they purchase of the Fur Traders; and they told me that previous to getting scissors, they cut it away with their knives; and before they got knives, they were in the habit of burning it off with red-hot stones, which was a very slow and painful operation.” (Catlin, Letters and Notes, vol. 2, no. 34, 1841; reprint 1973)
Smithsonian American Art Museum
Gegevens
- Inventarisnummer
- 1985.66.23
Wat het toont
In de catalogus
Bronnen
- Smithsonian American Art Museum
- Afbeelding: Smithsonian American Art Museum — CC0
In het leven van George Catlin
Het hele leven1830
First journey west with Governor Clark
He accompanies William Clark, governor of the Missouri Territory, on a diplomatic mission to Fort Crawford and then up the Mississippi into Native territory.
1830–1836
Five journeys into the American West
St. Louis was his base for the five trips and the steamer Yellowstone of the American Fur Company his first transport; he visited 48 tribes in all (other accounts say about fifty). On trips along the Arkansas, Red and Mississippi rivers, in Florida and around the Great Lakes he painted more than 500 pictures and gathered a substantial collection of artifacts.
1832
Up the Missouri to Fort Union
He ascends the Missouri more than 3,000 km to the Fort Union trading post (today on the North Dakota–Montana border) and spends several weeks among peoples little touched by European culture. Visiting eighteen tribes, among them the Pawnee, Omaha, Ponca, Mandan, Hidatsa, Cheyenne, Crow, Assiniboine and Blackfeet, he paints the most vivid portraits of his career.
1833
Prince Maximilian’s expedition sees his work
At Major O’Fallon’s country estate near St. Louis, members of Prince Maximilian of Wied-Neuwied’s scientific and ethnographic expedition look over the works from Catlin’s first Missouri expedition, among them the Swiss artist Karl Bodmer, who later painted many Native American portraits and scenes of his own.
spring 1834
Fort Gibson: portraits of Cherokee, Choctaw, Osage
Leaving New Orleans for Fort Gibson in Indian Territory, he paints portraits of Cherokee, Choctaw, Muscogee, Osage and other Native Americans.
19 June 1834
With the dragoons onto the Southern Plains
He sets out onto the Southern Plains with a dragoon detachment led by Henry Leavenworth and Henry Dodge, and visits Comanche and Wichita lands.
