Anthony van DyckVlaanderen, 1599–1641Isabella Brant
Kan ik het zien?
Ja, nu te zien
Waar is „Isabella Brant” nu? National Gallery of Art, Zaal 42 · Westgebouw, hoofdverdieping, Washington D.C. Ja, nu te zien. Gecontroleerd 29 september 2026.
Nu open· tot 17:00
Publiek tentoongesteld.
- Gecontroleerd
- Ongewijzigd sinds
- Bron
- Het museum
Gegevens
- Inventarisnummer
- 1937.1.47
Wat het toont
In de catalogus
Exposities
Te zien · Zaal 42 · Westgebouw, hoofdverdieping
National Gallery of Art · 29 sep 2026 — nu · Gecontroleerd
Was te zien · Zaal 42 · Westgebouw, hoofdverdieping
National Gallery of Art · 29 sep 2026 — 29 sep 2026 · Gecontroleerd
Was te zien · Zaal 42 · Westgebouw, hoofdverdieping
Hermitage · 28 sep 2026 — 29 sep 2026 · Gecontroleerd
Was te zien · Zaal 42 · Westgebouw, hoofdverdieping
National Gallery of Art · 30 aug 2026 — 28 sep 2026 · Gecontroleerd
Bronnen
- Hermitage
- Afbeelding: National Gallery of Art — Museum open access
In het leven van Anthony van Dyck
Het hele leven1620
First Trip to London to the Court of James I
In October 1620, at the age of twenty-one, Van Dyck moved to London to the court of King James I at the urging of the Duke of Buckingham and the Earl of Arundel; he received an annual pension of one hundred pounds sterling from the king.
20 November 1621
Departure for Italy, Arrival in Genoa
In 1621 Van Dyck decided to go to Italy; Rubens supplied him with funds and letters of introduction. On 20 November 1621 he arrived in Genoa and remained in Italy for six years, where his fame as a portraitist was consolidated.
winter 1622
Winter in Venice, Studying Titian
Van Dyck spent the winter of 1622 in Venice, where, accompanied by Titian's nephew Cesare Vecellio, he fulfilled a long-held dream of seeing the works of Titian and Paolo Veronese; on the way he stopped in Bologna and Parma, where he admired Correggio's frescoes.
1622
Journey to Rome
In February 1622 Van Dyck left for Rome, where he stayed until August of that year and for most of 1623; he was introduced into the best circles of society and copied Renaissance masterpieces at the Palazzo Ludovisi and the Villa Borghese.
