Thomas Hart BentonVerenigde Staten, 1889–1975Investigation
Mag men het zien?
Ontvangt momenteel niet
New York, Verenigde Staten
Het hoort bij de collectie, maar is momenteel niet tentoongesteld.
- Gecontroleerd
- Bron
- Het museum
Gegevens
- Inventarisnummer
- 72.71
In de catalogus
Bronnen
- Whitney Museum of American Art
- Afbeelding: Whitney Museum of American Art — © the artist or rights holder
Intussen, in het leven van Thomas Hart Benton
Het hele leven1926–1935
Employed by: Art Students League of New York
1935
Leaving New York for Missouri
Having alienated both the left-leaning community of artists with his disregard for politics and the larger New York–Paris art world with what was considered his folksy style, Benton leaves the artistic debates of New York for his native Missouri. Settling in Kansas City and taking a teaching job at the Kansas City Art Institute, he gains greater access to a rapidly changing rural America; a Populist by upbringing, he sympathizes with the working class and the small farmer.
1935–1941
Employed by: Kansas City Art Institute
1937
The autobiography “An Artist in America”
Publishes his autobiography An Artist in America, which is critically acclaimed; the writer Sinclair Lewis remarks that a painter who can write is a rare thing.
10 juli 1939
Daughter born: Jessie Benton
1939–1944
Illustrates Twain and Steinbeck
Creates illustrations for Mark Twain's “Tom Sawyer” (1939), John Steinbeck's “The Grapes of Wrath” (1940), Twain's “Huckleberry Finn” (1941) and “Life on the Mississippi” (1944).
