Het korenveld, Jacob Isaacksz van Ruisdael, 1648 - 1679
Jacob Isaacksz. van Ruisdael, portretJacob Isaacksz. van RuisdaelNederland, 1628–1682

Het korenveld

1648 - 1679 · Print

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Rijksmuseum Amsterdam

Amsterdam, Nederland

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Gegevens

Inventarisnummer
RP-P-1889-A-14865

Wat het toont

In de catalogus

Bronnen

In het leven van Jacob Isaacksz. van Ruisdael

Het hele leven
  1. 1640s

    Trips to Blaricum, Egmond aan Zee and Rhenen

    For a landscape painter Ruisdael travelled little: in the 1640s he visited Blaricum, his grandfather's home village, Egmond aan Zee and Rhenen.

  2. 1646

    First dated paintings and etchings

    The earliest date on Ruisdael's paintings and etchings is 1646; the young man was strongly influenced by the Haarlem landscape painters Cornelis Vroom and Allart van Everdingen. Two years later he was admitted to the Haarlem Guild of St Luke.

  3. 1650

    Journey to Germany with Nicolaes Berchem

    With Nicolaes Berchem, one of the painters who would later add figures to his landscapes, Ruisdael travels to Bentheim and Steinfurt, just across the German border (other accounts date the trip to Westphalia to around 1650). Afterwards his landscapes take on a more heroic character, with larger and more prominent forms.

  4. c. 1657

    Moves to Amsterdam

    Ruisdael moves to prosperous Amsterdam, which likely offered a bigger market for his work: his fellow Haarlem painter Allart van Everdingen had already moved there and found buyers. He lived there for the rest of his life (other accounts date the move to 1657).

  5. 1668

    Witness at the wedding of his pupil Meindert Hobbema

    In 1668 Ruisdael witnesses the marriage of Meindert Hobbema, his only registered pupil. He himself never married — according to Houbraken, to reserve time to serve his old father.

  6. 1672

    Still comfortable after the Disaster Year

    There is no record of Ruisdael owning land or shares, yet he appears to have lived comfortably even after the downturn of the disaster year 1672: in inventories of 1650–1679 his paintings averaged 40 guilders against 19 for attributed paintings generally. The legend that he died poor in a Haarlem almshouse confuses him with his cousin Jacob Salomonszoon.

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