Hercules

Busts of figures from the classical past were eminently suitable furnishings for a cabinet display. The artist, Lucas Faydherbe, was deeply influenced by the painter Rubens during the early part of his career, and this is clearly reflected in the composition and tone of this work. The attribution to Faydherbe derives from a comparison with a signed bust of Omphale in the Municipal Museum at Malines in Belgium, which also owns another version of the composition used here.

Over de sculptuur

Gegevens

In dezelfde zaal · Europe 1600-1815, Room 6, The Lisa and Bernard Selz Gallery, Victoria and Albert Museum

Over hetzelfde thema · Hercules

Ja, het ontvangt bezoek

Wat het toont

In de catalogus

Bronnen

Musiken. Relief av elfenben.

Bust of Gaspar de Crayer (1585-1669)

Cupid (?)

Jozef met Christuskind

A forester

Orpheus and Eurydice, 1716

The Blessed Ambrogio Sansedoni Visited by the Devil, ca. 1700

An Allegory of Triumph, ca. 1700

The Blessed Ambrogio Sansedoni Feeding the Pilgrims, ca. 1692-1700

The Judgement of Paris, 1690-1700

Cosimo III de' Medici, ca. 1680-1694

David and Goliath, ca. 1675 - ca. 1692

Parade of the Sons of Shah Jahan on Composite Horses and Elephants, late 17th century

Sculptor, Reclining Model, and Self-Portrait in the Form of a Sculpted Hercules (Sculpteur, modèle couché et autoportrait en Hercule sculpté), 1933

The Infant Hercules Throttling the Serpents, 1790-1793

Hercules and Antaeus, c. 1495

Hercules and Antaeus, after 1507

The Sanctuary of Hercules, 1884

Hercules and the Erymanthian boar, Late 17th or 18th century

Hercules Carrying the Erymanthian Boar, c. 1575/1675

Hercules and Antaeus, c. 1500