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StartpaginaKaartCatalogus
  1. Collectie/
  2. Cleveland Museum of Art/
  3. Hercules and Telephos
Hercules and Telephos, Hendrick Goltzius, 1592
Hendrick Goltzius, portretHendrick GoltziusNederland, 1558–1617

Hercules and Telephos

1592 · Print

Mag men het zien?

Ja, het ontvangt bezoek

Cleveland Museum of Art

Cleveland, Verenigde Staten

Zaal101A Prints & Drawings

Publiek tentoongesteld. Wie daarvoor instaat, staat hieronder.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
19 aug 2026
Bron
Het museum
Op de kaartMuseumpagina

Over het werk

Hendrick Goltzius was one of many late Renaissance artists who felt compelled to travel to Italy as part of his artistic training. He went with one purpose—to study antique sculpture. Goltzius made drawings on-site and then made engravings after his designs once he returned to Haarlem in 1591. He portrayed the Hercules Telephos from a low viewpoint to capture the awesome experience of first encountering the famous monument. It stands within a shadowed niche, which Goltzius filled with thousands of crossed engraved lines to create a dramatic recess that pushes the sculpture into the light. The engraving shows to excellent advantage the virtuosic technique that Goltzius developed, in which the swelling and tapering line exaggerates the heroic musculature of the figure.

Cleveland Museum of Art

Gegevens

1592 · op 34-jarige leeftijd
15581617
Inventarisnummer
2022.138

In de catalogus

PrentenGravureRenaissance16e eeuwNetherlands, 16th century

Bronnen

  • Cleveland Museum of Art
  • Afbeelding: Cleveland Museum of Art — Museum open access

Intussen, in het leven van Hendrick Goltzius

Het hele leven
  1. 1590

    Departure for Italy

    He fled from his wife and, despite his illnesses, set out for Italy — via Hamburg and Munich to Venice, Bologna and Florence. Part of the way he traveled on foot, passing himself off as a commoner, "partly out of a love of mystification."

  2. January 1591

    Eight months in Rome

    He arrived in Rome in January 1591 and stayed eight months (with a brief sojourn in Naples). He discovered Raphael, was especially impressed by Michelangelo and Giambologna, and studied art from classical sculpture to the masters of the Renaissance.

  3. August 1591

    Return to Haarlem with a collection of drawings

    He returned to Haarlem, bringing from Italy a large collection of drawings that he used for the rest of his life; from the Roman material three engravings of classical statues are known, including the Farnese Hercules.

Meer van Hendrick Goltzius

Alle werken
Lot and his Daughters, Hendrick Goltzius, 1616

Lot and his Daughters

1616 · Rijksmuseum Amsterdam

Fall of Man, Hendrick Goltzius, 1608

Fall of Man

1608 · Hermitage

Baptism, Hendrick Goltzius, 1608

Baptism

1608 · Hermitage

Dying Adonis, Hendrick Goltzius, 1609

Dying Adonis

1609 · Rijksmuseum Amsterdam

Vertumnus and Pomona, Hendrick Goltzius, 1613

Vertumnus and Pomona

1613 · Rijksmuseum Amsterdam

The Fall of Man, Hendrick Goltzius, 1616

The Fall of Man

1616 · National Gallery of Art

Apollo, Hendrick Goltzius, 1588

Apollo

1588 · Cleveland Museum of Art

Apollo Belvedere, Hendrick Goltzius, 1592

Apollo Belvedere

1592 · Cleveland Museum of Art

Buren in huis: Cleveland Museum of Art

Museumpagina
The Red Kerchief, Claude Monet, c. 1868–73

Claude Monet

The Red Kerchief, c. 1868–73

Melencolia I, Albrecht Dürer, 1514

Albrecht Dürer

Melencolia I, 1514

The Virgin and Child with the Pear, Albrecht Dürer, 1511

Albrecht Dürer

The Virgin and Child with the Pear, 1511

The Nativity, Albrecht Dürer, probably c. 1509/1510

Albrecht Dürer

The Nativity, probably c. 1509/1510

The Virgin and Child on a Crescent with a Starry Crown, Albrecht Dürer, 1508

Albrecht Dürer

The Virgin and Child on a Crescent with a Starry Crown, 1508

The Lamentation, Albrecht Dürer, 1507

Albrecht Dürer

The Lamentation, 1507

Large Horse, Albrecht Dürer, 1505

Albrecht Dürer

Large Horse, 1505

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Albrecht Dürer

Nemesis (The Great Fortune), c. 1501/1502