Robert RauschenbergVerenigde Staten, 1925–2008Gloria
Mag men het zien?
Ontvangt momenteel niet
Cleveland Museum of Art
Cleveland, Verenigde Staten
Het hoort bij de collectie, maar is momenteel niet tentoongesteld.
- Gecontroleerd
- eergisteren
- Ongewijzigd sinds
- 19 aug 2026
- Bron
- De eigen collectiegegevens van het museum
About the painting
Gloria exemplifies Rauschenberg’s compositions that combine ephemera and abstract painting. By juxtaposing newspaper clippings (several of New York socialite Gloria Vanderbilt), a photograph, printed cardboard, and passages of paint, Rauschenberg dismissed traditional hierarchies of artistic materials while blurring boundaries between everyday life and art. As he once proclaimed, “A pair of socks is no less suitable to make a painting with than wood, nails, turpentine, oil, and fabric.”
Cleveland Museum of Art
Gegevens
- Inventarisnummer
- 1966.333
In de catalogus
Bronnen
- Cleveland Museum of Art: the museum's own open data · opgehaald 6 dagen geleden
- Afbeelding: Cleveland Museum of Art — © Robert Rauschenberg Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY
Intussen, in het leven van Robert Rauschenberg
Het hele leven1954
Second solo show, at the Charles Egan Gallery
At his second solo exhibition in New York, at the Charles Egan Gallery, Rauschenberg showed his Red Paintings and his first Combines.
1954–1961
Lives with the artist Jasper Johns
From 1954 to 1961 Rauschenberg lived with his partner, the artist Jasper Johns. They constantly exchanged ideas and took part in each other's work, but never made objects under joint authorship.
1958
The Leo Castelli show makes his name
A solo exhibition of his Combines at Leo Castelli's gallery made Rauschenberg famous. The only sale was “Bed”, bought by Castelli himself; it is now in the Museum of Modern Art, New York.
