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Waar het meesterwerk hangt en wanneer men u toelaat.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (6 musea), Paris Musées (12 musea) en Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus
  1. Collectie/
  2. National Gallery of Art/
  3. Foot and Hand
Foot and Hand, Roy Lichtenstein, 1964
Roy Lichtenstein, portretRoy LichtensteinVerenigde Staten, 1923–1997

Foot and Hand

1964 · Print

Gegevens

1964 · op 41-jarige leeftijd
19231997
Inventarisnummer
1993.48.1

Intussen, in het leven van Roy Lichtenstein

Het hele leven
  1. 1962

    The Castelli show sells out before it opens

    Lichtenstein’s first one-man show at the Castelli gallery took place in 1962: the entire collection was bought by influential collectors before it even opened. The Leo Castelli Gallery has represented him exclusively since then.

  2. 1963–1964

    Leaves Rutgers and returns to New York

    In September 1963 Lichtenstein took a leave of absence from Douglass College at Rutgers; in 1964 he moved back to New York to be at the centre of the art scene and resigned from Rutgers to concentrate on his painting.

  3. 1964

    The first American to exhibit at the Tate Gallery

    Lichtenstein became the first American to exhibit at the Tate Gallery in London, in the show “’54–’64: Painting and Sculpture of a Decade”.

  4. 1964

    Life magazine asks: “Is He the Worst Artist in the U.S.?”

    When Lichtenstein’s work was first exhibited, many critics challenged its originality and called it vulgar and empty; a Life magazine article of 1964 was headed “Is He the Worst Artist in the U.S.?”. The artist replied that the closer his work is to the original, the more threatening and critical its content.

  5. 1965

    Divorce from Isabel

    The brutal upstate winters, where Lichtenstein had been teaching since 1958, took a toll on him and his wife. They sold the family home in Highland Park, New Jersey, in 1963 and divorced in 1965.

Meer van Roy Lichtenstein

Alle werken

Buren in huis: National Gallery of Art

Museumpagina

Over hetzelfde thema · Caricature

Alle werken over dit thema

Mag men het zien?

Ontvangt momenteel niet

National Gallery of Art

Washington D.C., Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
19 aug 2026
Bron
Het museum
Op de kaartMuseumpagina

Wat het toont

CaricatureHandGunFoot

In de catalogus

PrentenFotomechanische drukNaoorlogse kunst20e eeuwAmerican

Bronnen

  • National Gallery of Art
  • Afbeelding: National Gallery of Art — © the artist or rights holder
Entablature, Roy Lichtenstein, 1974

Entablature

1974 · National Gallery of Art

Painting with Statue of Liberty, Roy Lichtenstein, 1983

Painting with Statue of Liberty

1983 · National Gallery of Art

House I, Roy Lichtenstein, model 1996, fabricated 1998

House I

model 1996, fabricated 1998 · National Gallery of Art

Руины, Roy Lichtenstein, 1965

Руины

1965 · Russisch Museum

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Whitney Museum of American Art

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Whitney Museum of American Art

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Whitney Museum of American Art

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Whitney Museum of American Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portret van Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Meisje in Wit, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Boerderij in de Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

CRAK!, Roy Lichtenstein, 1963/1964

Roy Lichtenstein

CRAK!, 1963/1964

Niet te zien · National Gallery of Art

Mao, Roy Lichtenstein, 1971

Roy Lichtenstein

Mao, 1971

Niet te zien · National Gallery of Art

Caricature of J.M. Whistler, Aubrey Beardsley

Aubrey Beardsley

Caricature of J.M. Whistler

Niet te zien · National Gallery of Art

Lawyer, Honoré Daumier

Honoré Daumier

Lawyer

Niet te zien · National Gallery of Art

Nayades de la Seine (Sea Nymphs of the Seine), Honoré Daumier, 1847

Honoré Daumier

Nayades de la Seine (Sea Nymphs of the Seine), 1847

Niet te zien · National Gallery of Art

C'est unique! j'ai pris quatre tailles..., Honoré Daumier, 1840

Honoré Daumier

C'est unique! j'ai pris quatre tailles..., 1840

Niet te zien · National Gallery of Art

Le Ventre Législatif (The Legislative Belly), Honoré Daumier, 1834

Honoré Daumier

Le Ventre Législatif (The Legislative Belly), 1834

Niet te zien · National Gallery of Art

Mr. de Robert Macaire Restaurateur, Honoré Daumier and Edouard Bouvenne, 1836

Honoré Daumier

Mr. de Robert Macaire Restaurateur, 1836

Niet te zien · National Gallery of Art