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StartpaginaKaartCatalogus
  1. Collectie/
  2. Victoria and Albert Museum/
  3. Figure group
Figure group, Angelica Kauffman, ca. 1775
Angelica Kauffmann, portretAngelica KauffmannZwitserland, 1741–1807

Figure group

ca. 1775 · Figure group

Mag men het zien?

Ja, het ontvangt bezoek

Victoria and Albert Museum

Londen, Verenigd Koninkrijk

ZaalCeramics, Room 139, The Curtain Foundation Gallery

Publiek tentoongesteld. Wie daarvoor instaat, staat hieronder.

Gecontroleerd
12 dagen geleden
Ongewijzigd sinds
25 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

ca. 1775
17411807
Inventarisnummer
C.274-1935

Wat het toont

VrouwVirginsBoomCupid

In de catalogus

BeeldhouwkunstTerracotta en keramiekRococoNeoclassicisme18e eeuwDerby

Bronnen

  • Victoria and Albert Museum
  • Afbeelding: Victoria and Albert Museum — © Victoria and Albert Museum, London

Intussen, in het leven van Angelica Kauffmann

Het hele leven
  1. 1769–1782

    An annual exhibitor at the Royal Academy

    From 1769 until 1782 Kauffman exhibited at the Royal Academy every year, sometimes sending as many as seven pictures, generally on classical or allegorical subjects.

  2. 1770s

    Engravers reproduce her pictures

    At the same time Kauffman began to work with engravers who copied her pictures for wide distribution, and she became a commercially successful artist.

  3. 1773

    Chosen to decorate St Paul’s Cathedral

    In 1773 Kauffman, the only woman among the artists chosen, was appointed to decorate St Paul’s Cathedral in London, but the scheme was never carried out.

  4. 1775

    The scandal over Nathaniel Hone’s “The Conjurer”

    In 1775 the Academician Nathaniel Hone, a critic of Kauffman’s friendship with Reynolds, courted controversy with his satirical picture “The Conjurer”, seen as an attack on the fashion for Italian Renaissance art and a ridicule of Reynolds; the Academy rejected it, and it had originally included a nude caricature of Kauffman in one corner, which Hone painted out after she complained.

Meer van Angelica Kauffmann

Alle werken
Parting of Abelard and Heloise, Angelica Kauffmann, 18th century

Parting of Abelard and Heloise

18th century · Hermitage

The Temptation of Eros, Angelica Kauffmann, 1750–75

The Temptation of Eros

1750–75 · Metropolitan Museum of Art

The Victory of Eros, Angelica Kauffmann, 1750–75

The Victory of Eros

1750–75 · Metropolitan Museum of Art

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851), Angelica Kauffmann, ca. 1776

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

ca. 1776 · Metropolitan Museum of Art

Telemachus and the Nymphs of Calypso, Angelica Kauffmann, 1782

Telemachus and the Nymphs of Calypso

1782 · Metropolitan Museum of Art

The Sorrow of Telemachus, Angelica Kauffmann, 1783

The Sorrow of Telemachus

1783 · Metropolitan Museum of Art

Monsignor Giuseppe Spina (1756–1828), Angelica Kauffmann, 1798

Monsignor Giuseppe Spina (1756–1828)

1798 · Metropolitan Museum of Art

The Three Graces distressing Cupid, Angelica Kauffman, late 18th century

The Three Graces distressing Cupid

late 18th century · Victoria and Albert Museum

Buren in huis: Victoria and Albert Museum

Museumpagina
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024