Exodus, Pakistan, Margaret Bourke-White, 1947
Margaret Bourke-White, portretMargaret Bourke-WhiteVerenigde Staten, 1904–1971

Exodus, Pakistan

1947 · Photograph

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Nu niet te zien

Waar is „Exodus, Pakistan” nu? Collectie: Museum of Modern Art, New York. Nu niet te zien. Gecontroleerd 22 september 2026.

Museum of Modern Art

New York, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

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Gegevens

Inventarisnummer
97.1959.2

In de catalogus

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In het leven van Margaret Bourke-White

Het hele leven
  1. spring 1945

    Photographs liberated Buchenwald

    She arrives at the Buchenwald concentration camp and photographs it. She later said that using the camera was almost a relief, creating a slight barrier between her and the horror in front of her.

  2. spring 1945

    Through collapsing Germany with General Patton

    In spring 1945 she travels through a collapsing Germany with General George S. Patton; before that, accompanying American troops in Italy, she repeatedly came under fire in areas of fierce fighting.

  3. 1946

    Goes to India to photograph the independence struggle

    Life sends her to India to document the country’s struggle for freedom. In her photograph of Gandhi she expressively places the spinning wheel, a symbol of Indian independence, in the foreground.

  4. 1947

    Records the violence of the partition of India

    She becomes one of the most effective chroniclers of the violence that erupted at the independence and partition of India and Pakistan: streets littered with corpses, the dead with open eyes, refugees with vacant stares. Her photographs of Dr. Bhimrao Ramji Ambedkar at his home in Mumbai are known equally well in India and Pakistan; she also photographed Gandhi and Pakistan’s founder, Mohammed Ali Jinnah.

  5. 1948

    Interviews Gandhi hours before his assassination

    She interviews and photographs Mohandas K. Gandhi only a few hours before his assassination in 1948, bearing out her knack for being in the right place at the right time. Her friend and colleague Alfred Eisenstaedt said that for her no assignment and no picture was unimportant.

  6. late 1949

    Life sends her to South Africa

    She spends several months photographing in South Africa: 1,500 metres down a mine near Johannesburg, in fierce heat, she photographs two local miners drenched in sweat. Her pictures are among the first to bring American attention to the injustices of apartheid.

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