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StartpaginaKaartCatalogus
  1. Collectie/
  2. National Portrait Gallery/
  3. Edwin Forrest as Macbeth
Edwin Forrest as Macbeth, Mathew B. Brady, c. 1861

Edwin Forrest as Macbeth

c. 1861 · Photographic Negative

Gegevens

c. 1861
18231896
Inventarisnummer
NPG.88.96

Intussen, in het leven van Mathew B. Brady

Het hele leven
  1. 1850s

    His eyesight begins to fail

    In the 1850s Brady’s eyesight begins to deteriorate; this may in part explain why he later rarely visited the battlefields himself and why many images in his collection are thought to be the work of his assistants.

  2. 1861

    Lincoln permits him to photograph the war

    Taken with the idea of documenting the war itself, Brady first asks his old friend General Winfield Scott, and then President Lincoln, for permission to send his photographers to the battle sites; Lincoln agrees in 1861 on condition that Brady finances the project himself. Despite the dangers, the financial risk and his friends’ discouragement, he said he simply had to go.

  3. 1861

    Under fire at Bull Run

    His first popular photographs of the conflict are taken at the First Battle of Bull Run, where he gets so close to the action that he barely avoids capture; later he comes under direct fire at Petersburg and Fredericksburg.

  4. 1861

    Hires photographers with travelling darkrooms

    He employs Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche and seventeen other men, giving each a travelling darkroom. Brady himself generally resides in Washington, organizing his assistants and rarely visiting the battlefields, so many images in his collection are the work of his assistants.

  5. 1861

    Offers parents portraits of departing soldiers

Meer van Mathew B. Brady

Alle werken

Buren in huis: National Portrait Gallery

Museumpagina

Over hetzelfde thema · Wall

Alle werken over dit thema

When the Civil War begins, sales of cartes de visite to departing soldiers rise briskly; in the New-York Daily Tribune Brady runs an advertisement warning parents that it may soon be too late to capture their sons’ likenesses.

  • October 1862

    Exhibition “The Dead of Antietam”

    He opens, in his New York gallery, an exhibition of photographs of the Battle of Antietam; many of the images show corpses, a presentation new to America — the first time many Americans saw the realities of war in photographs rather than in artists’ impressions.

  • Mathew B. Brady, portretMathew B. BradyVerenigde Staten, 1823–1896

    Mag men het zien?

    Onbekend

    NPG
    National Portrait Gallery

    Washington D.C., Verenigde Staten

    De eigenaar is bekend; of het werk nu te zien is, is onbekend.

    Ongewijzigd sinds
    5 okt 2026
    Bron
    Het museum
    Op de kaartMuseumpagina

    Wat het toont

    WallArts and CultureShieldMustachesDress accessoriesDesignWeaponsSwords

    In de catalogus

    Foto’sRealismeImpressionisme19e eeuw

    Bronnen

    • National Portrait Gallery
    • Afbeelding: National Portrait Gallery — National Portrait Gallery, Smithsonian Institution (CC0)
    Untitled, Mathew B. Brady, 1860-70

    Untitled

    1860-70 · Niet te zien · Museum of Modern Art

    Ernestine Souvenir, Mathew B. Brady, 1860-69

    Ernestine Souvenir

    1860-69 · Niet te zien · Museum of Modern Art

    Untitled, Mathew B. Brady, c. 1860

    Untitled

    c. 1860 · Niet te zien · Museum of Modern Art

    General Ulysses S. Grant, Mathew B. Brady, 1861-65

    General Ulysses S. Grant

    1861-65 · Niet te zien · Museum of Modern Art

    President Lincoln, Mathew B. Brady, c. 1862

    President Lincoln

    c. 1862 · Niet te zien · Museum of Modern Art

    Ruins of Richmond, Mathew B. Brady, 1863-65

    Ruins of Richmond

    1863-65 · Niet te zien · Museum of Modern Art

    Ruins of the Gallego Flour Mills, Richmond, Virginia, Mathew B. Brady (studio of), Alexander Gardner, 1865

    Ruins of the Gallego Flour Mills, Richmond, Virginia

    1865 · Niet te zien · Museum of Modern Art

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia, Mathew B. Brady, April 1865

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia

    April 1865 · Niet te zien · Museum of Modern Art

    Robert F. Kennedy, Gardner Cox, 1968

    Gardner Cox

    Robert F. Kennedy, 1968

    Babe Ruth, Paolo Garretto, 1929

    Paolo Garretto

    Babe Ruth, 1929

    Alice Dunbar Nelson, Laura Wheeler Waring, 1927

    Laura Wheeler Waring

    Alice Dunbar Nelson, 1927

    Pauline Morton Sabin, Philip Alexius de László, 1926

    Philip Alexius de László

    Pauline Morton Sabin, 1926

    Adolph Ochs, Philip Alexius de László, 1926

    Philip Alexius de László

    Adolph Ochs, 1926

    Samuel Gompers, Moses Wainer Dykaar, 1924

    Moses Wainer Dykaar

    Samuel Gompers, 1924

    Alexander Graham Bell, Moses Wainer Dykaar, 1922

    Moses Wainer Dykaar

    Alexander Graham Bell, 1922

    Lillian D. Wald, William Valentine Schevill, 1919

    William Valentine Schevill

    Lillian D. Wald, 1919

    Dying Minotaur and Compassionate Young Woman (Minotaure mourant et jeune femme pitoyable), Pablo Picasso, 1933

    Pablo Picasso

    Dying Minotaur and Compassionate Young Woman (Minotaure mourant et jeune femme pitoyable), 1933

    Niet te zien · National Gallery of Art

    Jon Gould, Andy Warhol, 1980-1985

    Andy Warhol

    Jon Gould, 1980-1985

    Niet te zien · National Gallery of Art

    Christ Preaching (The Hundred Guilder Print), Rembrandt van Rijn, c. 1649

    Rembrandt van Rijn

    Christ Preaching (The Hundred Guilder Print), c. 1649

    Niet te zien · National Gallery of Art

    La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Francisco Goya, in or before 1816

    Francisco de Goya

    La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), in or before 1816

    Niet te zien · National Gallery of Art

    Disparate furioso (Furious Folly), Francisco Goya, in or after 1816

    Francisco de Goya

    Disparate furioso (Furious Folly), in or after 1816

    Niet te zien · National Gallery of Art

    Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Francisco Goya, in or before 1816

    Francisco de Goya

    Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), in or before 1816

    Niet te zien · National Gallery of Art

    Valor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Saragossa), Francisco Goya, in or before 1816

    Francisco de Goya

    Valor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Saragossa), in or before 1816

    Niet te zien · National Gallery of Art

    Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid), Francisco Goya, in or before 1816

    Francisco de Goya

    Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid), in or before 1816

    Niet te zien · National Gallery of Art