
Beatrix Potter1866–1943Mag men het zien?
Londen, Verenigd Koninkrijk
Het hoort bij de collectie, maar is momenteel niet tentoongesteld.
Beatrix Potter (1866-1943) is one of the world's best-loved children's authors and illustrators. She wrote the majority of the twenty-three Original Peter Rabbit Books between 1901 and 1913. The Tale of Peter Rabbit (Frederick Warne, 1902) is her most famous and best-loved tale.
From early childhood Beatrix Potter spent time drawing the many pets that she kept in her schoolroom: over the years, her pets included lizards, snails, bats, mice, rabbits and many other animals. During the family’s long summer holidays to rural areas she also took the opportunity to draw the plants and animals she saw in the countryside. Even her earliest childhood drawings show a serious interest in natural history, her sketches annotated with information about the species concerned.
As a young woman Beatrix Potter studied natural history with some seriousness, exploring the collections of the Natural History Museum, including the insect cases and fungi specimens. She had a collector’s cabinet full of specimens, from shells to dead butterflies and moths, and used a magnifying glass and a microscope to examine them more closely.
The rough studies of mice covering both sides of this thin strip of paper demonstrate Potter’s interest in studying animals from life, and from many different angles. Natural history sketches such as those seen on this sheet underpinned the illustrations in Potter’s published books, which, while imagined, are generally accurate in terms of the anatomy of the animals concerned. Mice feature in some of her books, perhaps most notably in The Tale of Two Bad Mice (Frederick Warne, 1904).
Victoria and Albert Museum
summer 1892
Charles McIntosh and the fungi
In the summer of 1892, at Dunkeld in Perthshire, Beatrix met Charles McIntosh, a revered naturalist and amateur mycologist: he helped make her illustrations more accurate, taught her taxonomy and supplied her with live specimens to paint in winter. By the 1890s her scientific interests had centred on mycology; she was first drawn to fungi by their colours and their evanescence.
September 1893
A letter to Noel Moore about four rabbits
In September 1893, on holiday at Eastwood near Dunkeld, Beatrix ran out of things to write to Noel, the often-ill eldest son of her former governess Annie Carter Moore, and told him a story about “four little rabbits whose names were Flopsy, Mopsy, Cottontail, and Peter”. It became one of the most famous children’s letters ever written and the basis of her future career; it was Annie who later suggested that such letters might make good children’s books.
1895–1897
A theory of spore germination, and Kew Gardens
In 1895, curious about how fungi reproduce, Beatrix began microscopic drawings of agaric spores and developed a theory of their germination. Through her uncle, the chemist Sir Henry Roscoe, she consulted botanists at Kew and convinced George Massee of her ability to germinate spores, but William Thiselton-Dyer, the director of Kew, rebuffed her because of her sex and amateur status.
1897
A paper for the Linnean Society
In 1897 Beatrix submitted a paper, “On the Germination of the Spores of the Agaricineae”, to the Linnean Society, but as a woman she could neither attend the meeting nor read it herself — George Massee introduced it. She later withdrew it on realising that some of her samples were contaminated, yet she continued her microscopic studies for several more years.
1900–1901
A dummy book of the rabbit tale, printed at her own expense
In 1900 Beatrix revised her tale of the four little rabbits and made a dummy book of it — it has been suggested, in imitation of Helen Bannerman’s 1899 bestseller; no one would buy it. So in December 1901 she had it printed at her own expense for family and friends — in black and white, with a coloured frontispiece.
2 October 1902
“The Tale of Peter Rabbit” is published
Several publishers had turned the manuscript down, Frederick Warne & Co among them, but the firm, eager to enter the booming market for small-format children’s books, reconsidered on the advice of the artist L. Leslie Brooke; it declined Rawnsley’s verse version in favour of Beatrix’s own prose, and she agreed to colour her illustrations, choosing the new Hentschel three-colour process. “The Tale of Peter Rabbit” appeared on 2 October 1902 and was an immediate success.