Drapery Study for "Mary and Elizabeth Royall", John Singleton Copley, c. 1758
John Singleton Copley, portretJohn Singleton CopleyVerenigde Staten, 1738–1815

Drapery Study for "Mary and Elizabeth Royall"

c. 1758 · Drawing

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Waar is „Drapery Study for "Mary and Elizabeth Royall"” nu? Collectie: National Gallery of Art, Washington D.C. Nu niet te zien. Gecontroleerd 29 september 2026.

National Gallery of Art

Washington D.C., Verenigde Staten

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Gegevens

Inventarisnummer
1980.4.1

Wat het toont

In de catalogus

Bronnen

In het leven van John Singleton Copley

Het hele leven
  1. 1750s

    Self-education: engravings and anatomical studies

    Copley is largely self-taught, copying engravings after Godfrey Kneller, Joshua Reynolds and other masters. A book of his studies of the figure, now at the British Museum, shows that before he was twenty he was making anatomical drawings with much care and precision.

  2. 1753–1774 · Werkzaam in

    Boston

  3. October 1757

    An invitation to paint portraits in Nova Scotia

    Capt. Thomas Ainslie, collector of the Port of Quebec, writes from Halifax acknowledging his portrait with great satisfaction and advises Copley to visit Nova Scotia, where several people would gladly employ him. The invitation was later repeated from Quebec; Copley replied that he would be glad to accept but had a large room full of unfinished pictures that would keep him busy for twelve months.

  4. 1760s

    A needy tobacconist’s son among Boston’s elite

    The income Copley earned by painting in the 1760s was extraordinary for his town and time and raised the son of a needy tobacconist into the local aristocracy. The foremost personages of New England came to his painting-room as sitters.

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