Salvatore ScarpittaVerenigde Staten, 1919–2007

Composition, I

1959 · Painting

Mag men het zien?

Ontvangt momenteel niet

Museum of Modern Art

New York, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd: 7 dagen geleden
Bron: De eigen collectiegegevens van het museum

Op de kaart Museumpagina

Gegevens

Inventarisnummer: 615.1959

In de catalogus

Schilderijen Olieverf Amerikaanse schilderkunst Naoorlogse kunst 20e eeuw

Bronnen

Museum of Modern Art: the museum's own open data · opgehaald 14 dagen geleden
Afbeelding: Museum of Modern Art — © the artist or rights holder

Alle werken

Go-Devil Sled

1976-77 · Niet te zien · Museum of Modern Art

Moby Dick (Extramural-Composition n. 3)

1958 · Niet te zien · Whitney Museum of American Art

Harpoon Rack II

1960 · Niet te zien · National Gallery of Art

Racer's Pillow

1963 · Niet te zien · Whitney Museum of American Art

Buren in huis: Museum of Modern Art

Museumpagina

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

Vincent van Gogh

De sterrennacht, Saint Rémy, June 1889

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

Pablo Picasso

Composition, I

Ontvangt momenteel niet

Gegevens

In de catalogus

Bronnen

Go-Devil Sled

Moby Dick (Extramural-Composition n. 3)

Harpoon Rack II

Racer's Pillow

Buren in huis: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Composition, I

Ontvangt momenteel niet

Gegevens

In de catalogus

Bronnen

Go-Devil Sled

Moby Dick (Extramural-Composition n. 3)

Harpoon Rack II

Racer's Pillow

Buren in huis: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Composition, I

Ontvangt momenteel niet

Gegevens

In de catalogus

Bronnen

Meer van Salvatore Scarpitta

Go-Devil Sled

Moby Dick (Extramural-Composition n. 3)

Harpoon Rack II

Racer's Pillow

Buren in huis: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Composition, I

Ontvangt momenteel niet

Gegevens

In de catalogus

Bronnen

Meer van Salvatore Scarpitta

Go-Devil Sled

Moby Dick (Extramural-Composition n. 3)

Harpoon Rack II

Racer's Pillow

Buren in huis: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950