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StartpaginaKaartCatalogus
  1. Collectie/
  2. Smithsonian American Art Museum/
  3. Col. Nathaniel Darby
Col. Nathaniel Darby, Unidentified, ca. 1798

Unidentified

Col. Nathaniel Darby

ca. 1798 · Painting-Miniature · 5.1 × 4 cm

Over het schilderij

It is not always possible to identify the sitter in a miniature portrait, and research is still being done on some of the works in the Museum’s collection. Miniatures became popular in England during the early 1700s, commissioned by wealthy families on the occasions of births, engagements, weddings, and bereavements. These paintings, elaborately set into lockets or brooches, provided the wearer with a sentimental connection to a loved one. The back of the miniature often revealed a lock of the sitter’s hair, symbolizing affection, commitment, or loss. The daguerreotype, invented in 1839, provided a cheaper, faster alternative, and portrait miniatures grew less popular. At the turn of the twentieth century, with the establishment of the American Society of Miniature Painters, miniatures enjoyed a brief revival.

Smithsonian American Art Museum

Gegevens

Inventarisnummer
1999.87.7A

Buren in huis: Smithsonian American Art Museum

Museumpagina

Over hetzelfde thema · Occupations

Alle werken over dit thema

Mag men het zien?

Onbekend

Smithsonian American Art Museum

Washington D.C., Verenigde Staten

De eigenaar is bekend; of het werk nu te zien is, is onbekend.

Ongewijzigd sinds
25 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Wat het toont

OccupationsColonelManPortretMilitary

In de catalogus

SchilderijenAquarelNeoclassicisme18e eeuw

Bronnen

  • Smithsonian American Art Museum
  • Afbeelding: Smithsonian American Art Museum — CC0
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940

Unidentified

Fish Decoy, ca. 1940

(Lobster on Black Background), Marsden Hartley, 1940-1941

Marsden Hartley

(Lobster on Black Background), 1940-1941

May Snow, Torvald Arnst Hoyer, 1937

Torvalt Arnt Hoyer

May Snow, 1937

San Diego Mission, Josephine Joy, ca. 1935-1939

Josephine Joy

San Diego Mission, ca. 1935-1939

Industry, Arthur Durston, 1934

Arthur Durston

Industry, 1934

Employment of Negroes in Agriculture, Earle Richardson, 1934

Earle Richardson

Employment of Negroes in Agriculture, 1934

Duc et Duchess de Brabant, Pierre Theunis, 1926

Pierre Theunis

Duc et Duchess de Brabant, 1926

Smithsonian American Art Museum

Shipping Coffee, Champerico, Guatemala, Eadweard Muybridge, 1875, published 1877

Eadweard Muybridge

Shipping Coffee, Champerico, Guatemala, 1875, published 1877

Smithsonian American Art Museum

(Study for "Labor"), Kenyon Cox, ca. 1870

Kenyon Cox

(Study for "Labor"), ca. 1870

Smithsonian American Art Museum

Head of the Artist, Alice Pike Barney, n.d.

Alice Pike Barney

Head of the Artist, n.d.

Smithsonian American Art Museum

A Passage from the Papers, Henry Wolf, 1887

Henry Wolf

A Passage from the Papers, 1887

Smithsonian American Art Museum

Max Weyl, William Henry Holmes, ca. 1875

William Henry Holmes

Max Weyl, ca. 1875

Smithsonian American Art Museum

Co-ee-há-jo, a Chief, George Catlin, 1838

George Catlin

Co-ee-há-jo, a Chief, 1838

Smithsonian American Art Museum

Marie Antoinette, Unidentified, n.d.

Unidentified

Marie Antoinette, n.d.

Smithsonian American Art Museum