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Waar het meesterwerk hangt en wanneer men u toelaat.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (6 musea), Paris Musées (12 musea) en Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus
  1. Collectie/
  2. Museum of Modern Art/
  3. Cockroaches from Insects
Cockroaches from Insects, Edward Ruscha, 1972
Edward Ruscha, portretEdward RuschaVerenigde Staten, 1937

Cockroaches from Insects

1972 · Print

Mag men het zien?

Ontvangt momenteel niet

Museum of Modern Art

New York, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
8 dagen geleden
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1972 · op 35-jarige leeftijd
1937nu
Inventarisnummer
85.2021.5

In de catalogus

PrentenZeefdrukNaoorlogse kunst20e eeuw

Bronnen

  • Museum of Modern Art
  • Afbeelding: Museum of Modern Art — © the artist or rights holder

Intussen, in het leven van Edward Ruscha

Het hele leven
  1. 1967–1970

    Self-imposed exile from painting: gunpowder and graphite drawings

    During a period of self-imposed exile from painting (1967–1970) he makes gunpowder and graphite drawings: single words in a trompe l'oeil technique, as if formed from ribbons of curling paper.

  2. 1970

    The “Chocolate Room” at the Venice Biennale

    Ruscha represents the United States at the Venice Biennale as part of a survey of American printmaking with an on-site workshop, and constructs “Chocolate Room”: 360 sheets of paper permeated with chocolate hang like shingles on the gallery walls, and the pavilion smells like a chocolate factory. In 2003 the Museum of Contemporary Art in Los Angeles acquires the installation (then worth about $1.5 million).

  3. 1970

    Joins the Leo Castelli Gallery

    He joins the Leo Castelli Gallery; his first solo exhibition there will come only in 1973.

  4. 30 juni 1972 – 8 oktober 1972

    Exhibition: Documenta 5

  5. 1972–1978

    Separation and divorce from Danna

    In 1972 Ruscha and Danna separate, in 1976 they file for divorce and in 1978 they divorce; during the time they are apart he dates the actresses Candy Clark, Samantha Eggar, Diane Keaton, Lauren Hutton and Michelle Phillips.

  6. February 1973

    First solo exhibition at Leo Castelli

    His first solo exhibition at the Leo Castelli Gallery in New York opens — the gallery he has been with since 1970.

Meer van Edward Ruscha

Alle werken
Large Trademark with Eight Spotlights, Edward Ruscha, 1962

Large Trademark with Eight Spotlights

1962 · Whitney Museum of American Art

Vicksburg, Edward Ruscha, 1960

Vicksburg

1960 · Niet te zien · Museum of Modern Art

Dorothy Ruscha, Edward Ruscha, 1960

Dorothy Ruscha

1960 · Niet te zien · Museum of Modern Art

Zone, Edward Ruscha, 1961

Zone

1961 · Niet te zien · Museum of Modern Art

Study for “OOF", Ed Ruscha, 1962

Study for “OOF"

1962 · Niet te zien · National Gallery of Art

3327 Division ('39 Ford), Ed Ruscha, 1962

3327 Division ('39 Ford)

1962 · Niet te zien · National Gallery of Art

New Painting of Common Objects, Edward Ruscha, 1962

New Painting of Common Objects

1962 · Niet te zien · Museum of Modern Art

Gas, Edward Ruscha, 1962

Gas

1962 · Niet te zien · Museum of Modern Art

Buren in huis: Museum of Modern Art

Museumpagina
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950