Cheval au galop, Théodore Gericault, 1er quart 19e siècle
Théodore Géricault, portretThéodore GéricaultFrankrijk, 1791–1824

Cheval au galop

1er quart 19e siècle · Painting · 32.2 × 40.3 cm

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Onbekend

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Ongewijzigd sinds
Bron
Het museum

Gegevens

Inventarisnummer
M 344 ; Mesnard 1386/167 (Autre numéro)

Wat het toont

In de catalogus

Bronnen

Intussen, in het leven van Théodore Géricault

Het hele leven
  1. 5 februari 1811 · Opleiding

    Beaux-Arts de Paris

  2. 1812

    Salon debut: “Officer of the Imperial Guard Chasseurs”

    In 1812 Géricault sent “Portrait of Dieudonné” (now “Officer of the Imperial Guard Chasseurs Charging”, Louvre) to the Paris Salon. An artist unknown until then, said to have “hardly studied”, he at once drew the critics' attention: Boutard advised him to take up battle painting, Durdent called him “perhaps the best of all our painters”, and David himself noticed the picture.

  3. autumn 1817

    The book on the wreck of the Méduse reaches Géricault

    In the autumn of 1817 the book “The Wreck of the Frigate Medusa” appeared, in which the eyewitnesses, the geographer-engineer Alexandre Corréard and the physician Henri Savigny, described the thirteen-day drift of the raft after the ship ran aground off the coast of Mauritania. The book reached Géricault, who saw in it the subject for the large painting he had long dreamed of.

  4. 1817–1818

    Investigating the disaster: survivors, a model raft, morgues

    Géricault re-created the event by studying the available materials and meeting witnesses: he got to know Corréard and Savigny, a carpenter from the Méduse made a scale model of the raft for him, and the artist modelled wax figures himself. He visited hospital morgues, drawing dead heads, emaciated bodies and severed limbs, and the preparation ended with a trip to Le Havre, where he painted studies of sea and sky.

  5. 1819

    “The Raft of the Medusa” sparks a political controversy at the Salon

    When first exhibited at the Paris Salon of 1819, “The Raft of the Medusa” ignited political controversy: it indicted a corrupt establishment, in which the captain had left the crew and passengers to die, but also dramatized the eternal struggle of man against nature.

  6. 26 januari 1824

    Died

Alle werken

Uit de collectie: Musée des Beaux-Arts de Chambéry

Museumpagina

Over hetzelfde thema · Représentation animalière (cheval)

Alle werken over dit thema