Brief lezende vrouw, Kitagawa Utamaro, 1793 - 1797
Kitagawa Utamaro, portretKitagawa UtamaroJapan, 1754–1806

Brief lezende vrouw

1793 - 1797 · Print

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Waar is „Brief lezende vrouw” nu? Collectie: Rijksmuseum Amsterdam, Amsterdam. Onbekend.

Rijksmuseum Amsterdam

Amsterdam, Nederland

De eigenaar is bekend; of het werk nu te zien is, is onbekend.

Bron
Het museum

Over het werk

Vrouw, ten halven lijve, een brief lezend; tegen mica achtergrond.

Rijksmuseum Amsterdam

Gegevens

Inventarisnummer
RP-P-1956-602

Wat het toont

In de catalogus

Bronnen

In het leven van Kitagawa Utamaro

Het hele leven
  1. 1790–1801

    Tightening censorship: seals on prints

    From 1790 prints can be sold only with a censor's seal of approval; over the following decades censorship grows stricter, and violators can receive harsh punishments. From 1799 even preliminary drafts need approval, and in 1801 the works of a group of Utagawa-school offenders, including Toyokuni, are repressed.

  2. c. 1791

    Giving up book prints for half-length portraits of beauties

    Around 1791 Utamaro gives up designing prints for books and concentrates on single portraits of women shown half-length, rather than the group scenes favoured by other ukiyo-e artists. He was the first in Japanese woodblock printing to use half-length compositions for women's portraits; none of his work from 1790–1792 has survived.

  3. 1793

    Recognition and the end of the arrangement with Tsutaya

    In 1793 Utamaro achieves recognition as an artist, and his semi-exclusive arrangement with the publisher Tsutaya Jūzaburō ends. He then goes on to produce several well-known series featuring women of the Yoshiwara district, and becomes one of the few ukiyo-e artists to win fame throughout Japan in his lifetime.

  4. 1797

    The death of his friend and patron Tsutaya Jūzaburō

    In 1797 Utamaro's long-time friend and supporter, the publisher Tsutaya Jūzaburō, dies; the artist is apparently very upset by the loss, and some commentators feel that his work never reached its former heights afterwards. He later lives in Kyūemon-chō, then Bakuro-chō, and finally near the Benkei Bridge.

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