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StartpaginaKaartCatalogus
  1. Collectie/
  2. Victoria and Albert Museum/
  3. Branch Hill Pond, Hampstead
Branch Hill Pond, Hampstead, John Constable, 1819

Branch Hill Pond, Hampstead

1819 · Oil painting · 25.4 × 30 cm

Over het schilderij

Constable moved to Hampstead in the summer of 1819 and Branch Hill Pond became one of his favourite subjects. He based several larger paintings on this sketch.

Victoria and Albert Museum

Gegevens

1819 · op 43-jarige leeftijd
17761837
Inventarisnummer
122-1888

Intussen, in het leven van John Constable

Het hele leven
  1. 1821

    “The Hay Wain” at the Royal Academy

    The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.

  2. 1821

    “I should paint my own places best”

    In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.

  3. 1821

    Son born: Charles Golding Constable

  4. 23 October 1821

    To Fisher: “I have done a good deal of skying”

    Constable wrote to Fisher that he had done a good deal of skying and was determined to conquer all the difficulties that remained. He made cloud studies, noting the weather, direction of light and time of day on the back, and held the sky to be the key note of a landscape, drawing on the meteorologist Luke Howard’s classification of clouds.

Meer van John Constable

Alle werken

In dezelfde zaal · Paintings, Room 88, The Edwin and Susan Davies Galleries, Victoria and Albert Museum

Museumpagina

Over hetzelfde thema · Ponds

Alle werken over dit thema
John Constable, portretJohn ConstableVerenigd Koninkrijk, 1776–1837

Mag men het zien?

Ja, het ontvangt bezoek

Victoria and Albert Museum

Londen, Verenigd Koninkrijk

ZaalPaintings, Room 88, The Edwin and Susan Davies Galleries

Publiek tentoongesteld. Wie daarvoor instaat, staat hieronder.

Gecontroleerd
12 dagen geleden
Ongewijzigd sinds
25 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Wat het toont

PondsHillsCloudsHampstead

In de catalogus

SchilderijenOlieverfBritse schilderkunstNeoclassicismeRomantiek19e eeuwBritish SchoolEngeland

Bronnen

  • Victoria and Albert Museum
  • Afbeelding: Victoria and Albert Museum — © Victoria and Albert Museum, London
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Metropolitan Museum of Art

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · National Gallery of Art

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · National Gallery of Art

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · National Gallery of Art

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Metropolitan Museum of Art

Snow scene: the haunted house, Georg Emil Libert, 1848

Georg Emil Libert

Snow scene: the haunted house, 1848

Sunset on a bay, with castle ruins, Georg Emil Libert, 1848

Georg Emil Libert

Sunset on a bay, with castle ruins, 1848

Study of poppies, John Constable, ca. 1832

John Constable

Study of poppies, ca. 1832

Study of Foliage, John Constable, ca. 1828

John Constable

Study of Foliage, ca. 1828

A Donkey with a Foal: Study for <i>The Cornfield</i>, John Constable, ca. 1826

John Constable

A Donkey with a Foal: Study for <i>The Cornfield</i>, ca. 1826

On the edge of a wood, John Constable, ca. 1825

John Constable

On the edge of a wood, ca. 1825

A Windmill near Brighton, John Constable, 3 August 1824

John Constable

A Windmill near Brighton, 3 August 1824

Brighton Beach, with Fishing Boat and Crew, John Constable, 10/06/1824

John Constable

Brighton Beach, with Fishing Boat and Crew, 10/06/1824

Bridge over a Pond of Water Lilies, Claude Monet, 1899

Claude Monet

Bridge over a Pond of Water Lilies, 1899

Metropolitan Museum of Art

Water Lilies, Claude Monet, 1916–19

Claude Monet

Water Lilies, 1916–19

Metropolitan Museum of Art

Water Lilies, Claude Monet, 1919

Claude Monet

Water Lilies, 1919

Metropolitan Museum of Art

[Landscape], Marie-Charles-Isidore Choiselat, 1844

Marie-Charles-Isidore Choiselat

[Landscape], 1844

Metropolitan Museum of Art

Rimmer's Pond, Ridley, Hennell, ca. 1940

Hennell

Rimmer's Pond, Ridley, ca. 1940

Niet te zien · Victoria and Albert Museum

The Pond, Ditchling, Charles Knight, ca. 1940

Charles Knight

The Pond, Ditchling, ca. 1940

Niet te zien · Victoria and Albert Museum

Landscape with pond and trees, 19th century

Landscape with pond and trees, 19th century

Niet te zien · Victoria and Albert Museum

Pond and Trees, Albion Harris Bicknell

Albion Bicknell

Pond and Trees

Smithsonian American Art Museum