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StartpaginaKaartCatalogus
  1. Collectie/
  2. Cleveland Museum of Art/
  3. Bottle, Glass, Fork
Bottle, Glass, Fork, Pablo Picasso, 1911–12
Pablo Picasso, portretPablo PicassoSpanje, 1881–1973

Bottle, Glass, Fork

1911–12 · Painting

Mag men het zien?

Ontvangt momenteel niet

Cleveland Museum of Art

Cleveland, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
19 aug 2026
Bron
Het museum
Op de kaartMuseumpagina

Over het schilderij

Bottle, Glass, Fork (French: Bouteille, Verre, et Fourchette) is an oil on canvas painting by Pablo Picasso (1881–1973). It was painted in the spring of 1912, at the height of the development of Analytic Cubism. Bottle, Glass, Fork is one of the best representations of the point in Picasso's career when his Cubist painting reached almost full abstraction. The analytic phase of Cubism was an original art movement developed by Picasso and his contemporary Georges Braque (1882–1963) and lasted from 1908-1912. Like Bottle, Glass, Fork, the paintings of this movement are characterized by the limited use of color, and a complex, elegant composition of small, fragmented, tightly interwoven planes within an all-over composition of broader planes. While the figures in Bottle, Glass, Fork can be difficult to discern, the objects do emerge after careful study of the painting. The painting is displayed in the Cleveland Museum of Art.

Wikipedia · CC BY-SA

In de woorden van het museum

This still life depicts a variety of objects found on a café table: a bottle, glass, folded newspaper, and utensils. Intricate in its composition and subtle in palette, this painting exemplifies Analytic Cubism, an artistic style devised by Picasso and Georges Braque between 1908–12 characterized by the fragmentary appearance of multiple, simultaneous viewpoints and overlapping planes. Maintaining a connection to the real world, Picasso inserted letters and numbers with personal and political meanings. The “fe 20” could refer to the word “café” and a street address. “EAN” above [P] ARIS may allude to the newspaper L’Intransigeant founded in 1880 in Paris; but ultimately, the meaning of these fragments remains mysterious and known only to the artist.

Cleveland Museum of Art

Gegevens

1911–12 · op 30-jarige leeftijd
18811973
Inventarisnummer
1972.8

In de catalogus

SchilderijenOlieverfSpaanse schilderkunstModernisme20e eeuwSpain, 20th century

Bronnen

  • Cleveland Museum of Art
  • Afbeelding: Cleveland Museum of Art — © Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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Le gourmet

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Peonies, Pablo Picasso, 1901

Peonies

1901 · National Gallery of Art

Pedro Mañach, Pablo Picasso, 1901

Pedro Mañach

1901 · National Gallery of Art

The Absinthe drinker, Pablo Picasso, 1901

The Absinthe drinker

1901 · Hermitage

Two Sisters (The Meeting), Pablo Picasso, 1902

Two Sisters (The Meeting)

1902 · Hermitage

The Tragedy, Pablo Picasso, 1903

The Tragedy

1903 · National Gallery of Art

Portrait of Benet Soler, Pablo Picasso, 1903

Portrait of Benet Soler

1903 · Hermitage

Buren in huis: Cleveland Museum of Art

Museumpagina
The Red Kerchief, Claude Monet, c. 1868–73

Claude Monet

The Red Kerchief, c. 1868–73

Melencolia I, Albrecht Dürer, 1514

Albrecht Dürer

Melencolia I, 1514

The Virgin and Child with the Pear, Albrecht Dürer, 1511

Albrecht Dürer

The Virgin and Child with the Pear, 1511

The Nativity, Albrecht Dürer, probably c. 1509/1510

Albrecht Dürer

The Nativity, probably c. 1509/1510

The Virgin and Child on a Crescent with a Starry Crown, Albrecht Dürer, 1508

Albrecht Dürer

The Virgin and Child on a Crescent with a Starry Crown, 1508

The Lamentation, Albrecht Dürer, 1507

Albrecht Dürer

The Lamentation, 1507

Large Horse, Albrecht Dürer, 1505

Albrecht Dürer

Large Horse, 1505

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Albrecht Dürer

Nemesis (The Great Fortune), c. 1501/1502