Ensor, JamesBelgië, 1860–1949Boerderij in Vlaanderen
Mag men het zien?
Onbekend
Amsterdam, Nederland
De eigenaar is bekend; of het werk nu te zien is, is onbekend.
- Bron
- Het museum
Gegevens
- Inventarisnummer
- RP-P-1947-117
Wat het toont
In de catalogus
Bronnen
- Rijksmuseum Amsterdam
- Afbeelding: Rijksmuseum Amsterdam — public domain
Intussen, in het leven van Ensor, James
Het hele leven1860–1949 · Werkzaam in
Ostend
1880s
Brief trips to France and the Netherlands
Ensor travelled very little: in the 1880s, just three brief trips to France and two to the Netherlands.
1883–1893 · Lidmaatschap
Les XX
1887
Death of his father
His father, James Frederic Ensor, died — a scion of a wealthy English family who never found his footing in Belgium, mocked by small-town Ostend as a drunkard and failure, yet always supportive of his son's passion for art. Left the only man in the family, James felt a special responsibility for his younger sister Mariette (Mitche).
1888–1892
Turning-point years: the Passion of Christ
Ensor turned to religious themes, most often the torments of Christ, expressing through them his disgust at the inhumanity of the world; an atheist, he identified with Christ as a victim of mockery. At the height of his creative powers, between 1886 and 1891, he made 86 of his 133 etchings.
