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StartpaginaKaartCatalogus
  1. Collectie/
  2. National Gallery of Art/
  3. Biscuits Lefèvre-Utile
Biscuits Lefèvre-Utile, Alphonse Marie Mucha, 1896
Alphonse Mucha, portretAlphonse MuchaTsjechië, 1860–1939

Biscuits Lefèvre-Utile

1896 · Print

Mag men het zien?

Ontvangt momenteel niet

National Gallery of Art

Washington D.C., Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
9 dagen geleden
Ongewijzigd sinds
19 aug 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1896 · op 36-jarige leeftijd
18601939
Inventarisnummer
2016.140.2

Wat het toont

Vrouw

In de catalogus

PrentenLithografieImpressionisme19e eeuwArt Nouveau

Bronnen

  • National Gallery of Art
  • Afbeelding: National Gallery of Art — Museum open access

Intussen, in het leven van Alphonse Mucha

Het hele leven
  1. 1894

    First official recognition at the 1894 Salon

    Four of his illustrations for Seignobos’s book, including one depicting the death of Frederick Barbarossa, were chosen for display at the 1894 Paris Salon of Artists; he received a medal of honour, his first official recognition.

  2. autumn 1894

    Friendship with August Strindberg

    In late autumn 1894 he became friends with the playwright August Strindberg, with whom he shared interests in philosophy and mysticism.

  3. 26 December 1894

    Sarah Bernhardt orders the poster for “Gismonda”

    Bernhardt telephoned Maurice de Brunhoff of the publishing firm Lemercier, ordering a poster for the continued run of Sardou’s “Gismonda” by 1 January 1895; because of the holidays none of the regular Lemercier artists was available, and Mucha, who happened to be at the firm correcting proofs, took the job.

  4. 1 January 1895

    The “Gismonda” poster appears on the streets of Paris

    The poster, a little over two metres high, with Bernhardt as a Byzantine noblewoman under a rainbow-shaped arch almost like a halo, appeared on the streets of Paris on 1 January 1895 and caused an immediate sensation; Bernhardt ordered four thousand copies in 1895 and 1896 and gave Mucha a six-year contract.

  5. after 1 January 1895

    A contract with the printer Champenois and a new studio

    Bernhardt switched to a different printer, F. Champenois, who, like Mucha, was put under a six-year contract to work for her and gave Mucha a generous monthly salary in exchange for the rights to publish all his works. With the extra income Mucha moved to a three-bedroom apartment with a large studio in a historic house at 6 Rue du Val-de-Grâce.

  6. 1897

    Retrospective at the Salon des Cent: 448 works

    Léon Deschamps, the editor of La Plume, invited him to show at the Salon des Cent in 1896, and in 1897 the same gallery gave him a major retrospective of 448 works; the magazine La Plume devoted a special issue to him, and the exhibition travelled to Vienna, Prague, Munich, Brussels, London and New York, giving him an international reputation.

Meer van Alphonse Mucha

Alle werken
Maude Adams (1872–1953) as Joan of Arc, Alphonse Mucha, 1909

Maude Adams (1872–1953) as Joan of Arc

1909 · Metropolitan Museum of Art

Napoleon Views His Rising Star, Alphonse Marie Mucha

Napoleon Views His Rising Star

Niet te zien · National Gallery of Art

Head of a Child, Alphonse Mucha, (n.d.)

Head of a Child

(n.d.) · Niet te zien · Museum of Modern Art

Job, Alfons Maria Mucha, 1860 - 1916

Job

1860 - 1916 · Rijksmuseum Amsterdam

Rocks on the Shore, Alphonse Mucha, n.d.

Rocks on the Shore

n.d. · Niet te zien · Museum of Modern Art

IMPRIMERIE CASSAN FILS; FONDEE EN 1851, Alphonse Mucha

IMPRIMERIE CASSAN FILS; FONDEE EN 1851

Albertina

Liegende Frau mit Blumen im Haar, Alphonse Mucha

Liegende Frau mit Blumen im Haar

Albertina

GISMONDA; SARAH BERNHARDT; THÉATRE DE LA RENAISSANCE, Alphonse Mucha, 1894

GISMONDA; SARAH BERNHARDT; THÉATRE DE LA RENAISSANCE

1894 · Albertina

Buren in huis: National Gallery of Art

Museumpagina
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portret van Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Meisje in Wit, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Boerderij in de Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Over hetzelfde thema · Vrouw

Alle werken over dit thema
Madame Roulin and Her Baby, Vincent van Gogh, 1888

Vincent van Gogh

Madame Roulin and Her Baby, 1888

Metropolitan Museum of Art

Garden at Sainte-Adresse, Claude Monet, 1867

Claude Monet

Terras in Sainte-Adresse, 1867

Metropolitan Museum of Art

Condesa de Altamira and Her Daughter, María Agustina, Goya, 1787–88

Francisco de Goya

Condesa de Altamira and Her Daughter, María Agustina, 1787–88

Metropolitan Museum of Art

Two Women on the Shore, Edvard Munch, 1898

Edvard Munch

Two Women on the Shore, 1898

Rijksmuseum Amsterdam

Young Woman with a Water Pitcher, Johannes Vermeer, ca. 1662

Johannes Vermeer

Vrouw met waterkan, ca. 1662

Metropolitan Museum of Art

Study of a Young Woman, Johannes Vermeer, ca. 1665–67

Johannes Vermeer

Meisjeskopje, ca. 1665–67

Metropolitan Museum of Art

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891

Paul Gauguin

Ia Orana Maria (Hail Mary), 1891

Metropolitan Museum of Art

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), Peter Paul Rubens, ca. 1635

Peter Paul Rubens

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), ca. 1635

Metropolitan Museum of Art