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StartpaginaKaartCatalogus
  1. Collectie/
  2. Harvard Art Museums/
  3. Beata Beatrix
Beata Beatrix, Dante Gabriel Rossetti, 1869
Dante Gabriel Rossetti, portretDante Gabriel RossettiEngeland, 1828–1882

Beata Beatrix

1869 · Drawing

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Ontvangt momenteel niet

Harvard Art Museums

Cambridge, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
27 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1869 · op 41-jarige leeftijd
18281882
Inventarisnummer
1943.743

In de catalogus

Tekeningen & aquarellenKrijtRealismeImpressionisme19e eeuwVerenigd Koninkrijk

Bronnen

  • Harvard Art Museums
  • Afbeelding: Harvard Art Museums — © President and Fellows of Harvard College

Intussen, in het leven van Dante Gabriel Rossetti

Het hele leven
  1. 1862–1882

    A Tudor house at 16 Cheyne Walk

    After his wife’s death Rossetti leased a Tudor house at 16 Cheyne Walk in Chelsea, where he lived for twenty years surrounded by extravagant furnishings and a parade of exotic birds and animals.

  2. 1869

    Poems from the grave: the exhumation

    Prevailed upon by friends, in particular Charles Augustus Howell, Rossetti in 1869 had his poems exhumed from his wife’s grave in order to collate and publish them.

  3. 1869–1874

    Kelmscott Manor: a summer house and a retreat

    In 1869 Morris and Rossetti rented Kelmscott Manor at Kelmscott, Oxfordshire, as a summer home, but it became a retreat for Rossetti and Jane Morris: they spent summers there with the Morrises’ children while William Morris travelled to Iceland in 1871 and 1873.

  4. 1870

    The 1870 “Poems”

    In 1870 Rossetti published the volume “Poems by D. G. Rossetti,” collating the recovered texts and some translations, such as his 1869 “Ballad of Dead Ladies” after Villon; the word “yesteryear” is credited to Rossetti as a neologism used for the first time in this translation.

  5. 1871

    Love for Jane Morris

    In 1871 Rossetti fell in love again — with Jane, the wife of his friend William Morris; they became lovers, and Jane sat for him often.

  6. October 1871 – May 1872

    Buchanan’s attack: the “fleshly school of poetry”

    In October 1871 Robert Buchanan attacked both Rossetti’s poems and his morality in The Contemporary Review; against the advice of his brother William Michael, Rossetti issued a written reply in December, and in May 1872 Buchanan published a 100-page pamphlet, “The Fleshly School of Poetry and Other Phenomena of the Day.”

Meer van Dante Gabriel Rossetti

Alle werken
Beata Beatrix, Dante Gabriel Rossetti, 1871–72

Beata Beatrix

1871–72 · Art Institute of Chicago

The Blessed Damozel, Dante Gabriel Rossetti, 1871-1878

The Blessed Damozel

1871-1878 · Harvard Art Museums

A Sea-Spell, Dante Gabriel Rossetti, 1875-1877

A Sea-Spell

1875-1877 · Harvard Art Museums

The Day Dream, Dante Gabriel Rossetti, 1880

The Day Dream

1880 · Victoria and Albert Museum

The Girlhood of Mary Virgin, Dante Gabriel Rossetti, 1840s

The Girlhood of Mary Virgin

1840s · National Gallery

Vrouwenkop, Dante Gabriel Rossetti, 1838 - 1882

Vrouwenkop

1838 - 1882 · Rijksmuseum Amsterdam

Ecce Ancilla Domini, Dante Gabriel Rossetti, 1850

Ecce Ancilla Domini

1850 · National Gallery

Paolo and Francesca da Rimini, Dante Gabriel Rossetti, 1855

Paolo and Francesca da Rimini

1855 · National Gallery

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