Baptismal Scene

1943

Berkeley: friendship with Clyfford Still

Hoping a change of scenery would help, Rothko returned to Portland and then travelled to Berkeley, where he met Clyfford Still and the two became close friends; Still’s deeply abstract paintings are thought to have influenced Rothko’s later work.

autumn 1943

Peggy Guggenheim

In the autumn of 1943 Rothko returned to New York and met the collector and dealer Peggy Guggenheim, who was at first reluctant to take on his work.

13 June 1943

Separation from Edith Sachar and depression

On 13 June 1943 Rothko and Edith Sachar separated again, and the divorce (1944) left him depressed for a long time.

1944–1945

Mell Beistle: meeting and marriage

Rothko met the book illustrator Mary Alice “Mell” Beistle in 1944 and married her in early 1945.

late 1945

The Art of This Century show

The one-person show at Peggy Guggenheim’s gallery was not a success: few sales, at prices from $150 to $750, and unfavourable reviews. Guggenheim nevertheless bought several works, including Sacrifice (1946), and showed it in her European galleries, making it among the first of Rothko’s paintings exhibited outside the United States.

1946

The first Rothko in a museum collection

The Whitney Museum, which included Rothko’s surrealist works in its annual exhibition from 1943 to 1950, acquired Baptismal Scene (1945) in 1946: the first of his works to enter a museum collection, a key milestone in his career.